Anna flicked the T.V from channel to channel, bored: there was nothing worth watching. Sighing, she left the news on and flopped back on the sofa, not really intending to listen.
'The war in Iraq-.'
'Oh no, te don't,' Anna muttered, grabbing the remote. Her Dad had joined the army after her Mum had died of an overdose. Anna didn't really blame him, she'd have got out of the house as fast as possible too if she was an adult. The whole house was contaminated with the memories of Mum, of her laugh, of her accident... suicide... whatever it was. Even so, Anna missed Dad like it was painful. She'd already Lost one parent, and though she'd always thought it would be brilliant to have no one who cared if she revised for her GCSEs, o if she failed them, no parent who forced a curfew on her, o who tagged around embarrassingly at her school prom, it wasn't brilliant at all. She felt she could just die, and nobody from her family would care. Well, maybe her uncle, who had moved in to take care of her when Dad left, would know he was supposed to grieve and cry.
Anna jabbed her thumb against the button to change channels. Automatically, after almost a anno of twinkling when anyone mentioned the war o her father, she grinned.
'-is becoming più serious. Many innocent citizens have been shot down, and several British troops-.'
Dad probably wasn't part of those troops. Anna looked down, staring at the remote. It was black with red buttons. She stabbed the button. The T.V was so old it was practically an antique. It didn't change channels.
'-were mowed down. Approximately 1000 are missing, 450 severely injured-.'
Black and white pictures began coming up, and Anna could have sworn she saw her father's face. Anna wrenched her eyes away for a moment, and pressed the 'off' button continuously for ten seconds.
Nothing happened.
It was lingering on a picture of her father- no, a dead man who looked vaguely like her father. He was lying sprawled on the ground, a mangled red cut across his cheek, his face twisted and furious. As the T.V zoomed in on him, Anna saw his face properly. It had been months since she'd last seen it, but even in black and white, with a cut slashed across his face, Anna recognised him as the man who had hugged her goodbye ten months ago.
'He's dead,' she detto blankly.
There was no way a man with a cut that almost sliced his face in half could be alive. But Anna saw, electric relief rushing through her, he was moving, stirring, alive... and looking straight out at her.
'And 200 have been confirmed dead,' finished the news reader.
'I don't want to hear this,' Anna blurted, blushing at how shrill and stupid she sounded. It probably wasn't her father. After all, it had been many months since they were together, and the cut, as well as the beard he'd grown, disfigured his face a lot. She was being an idiot.
Anna reached for the remote for one last try, but she didn't want to try to switch it off and have it keep playing. This way she could kid herself she could stop at any moment. Then it zoomed closer to her father's- no, the man's- tortured face, and she grabbed the remote, pressing the off button for ten secondi again, then again just in case. And again. The voice didn't even falter.
'Anna.'
She dropped the remote to the floor with a clatter. The voice seemed to be coming from the T.V, but it couldn't be- no.
'Anna.'
This time she saw her father's lips sposta on the T.V. He rose unsteadily to his feet, his eyes never leaving hers. They were bloodshot from the long hours, and wild and even cruel. Her father had never looked at her like that before. He seemed, Anna thought, to stumble towards her, not just on the screen, but as if, God, it was stupid, but as if he coming out of the T.V.
Anna jumped up and ran from the room, but the T.V. continued to blare, and Dad's mangled face was printed in her mind. She slammed the door behind her, but the volume remained consistent.
'Anna.'
This time the voice didn't crackle from the T.V. It came from directly behind her, and slowly, very slowly, the door was pulled open. The man who hugged her goodbye ten months fa was standing there, a mangled red cut across his face, his eyes cold and wild as he stared at her.
da Jasmine. Help and editing da James Dawson (by the way, I really recommend te read his book, 'Say her name' about Bloody Mary) and Julie Bolitho-Lee. Also, if you're British and secondary school aged, te should totally get involved in First Story.
'The war in Iraq-.'
'Oh no, te don't,' Anna muttered, grabbing the remote. Her Dad had joined the army after her Mum had died of an overdose. Anna didn't really blame him, she'd have got out of the house as fast as possible too if she was an adult. The whole house was contaminated with the memories of Mum, of her laugh, of her accident... suicide... whatever it was. Even so, Anna missed Dad like it was painful. She'd already Lost one parent, and though she'd always thought it would be brilliant to have no one who cared if she revised for her GCSEs, o if she failed them, no parent who forced a curfew on her, o who tagged around embarrassingly at her school prom, it wasn't brilliant at all. She felt she could just die, and nobody from her family would care. Well, maybe her uncle, who had moved in to take care of her when Dad left, would know he was supposed to grieve and cry.
Anna jabbed her thumb against the button to change channels. Automatically, after almost a anno of twinkling when anyone mentioned the war o her father, she grinned.
'-is becoming più serious. Many innocent citizens have been shot down, and several British troops-.'
Dad probably wasn't part of those troops. Anna looked down, staring at the remote. It was black with red buttons. She stabbed the button. The T.V was so old it was practically an antique. It didn't change channels.
'-were mowed down. Approximately 1000 are missing, 450 severely injured-.'
Black and white pictures began coming up, and Anna could have sworn she saw her father's face. Anna wrenched her eyes away for a moment, and pressed the 'off' button continuously for ten seconds.
Nothing happened.
It was lingering on a picture of her father- no, a dead man who looked vaguely like her father. He was lying sprawled on the ground, a mangled red cut across his cheek, his face twisted and furious. As the T.V zoomed in on him, Anna saw his face properly. It had been months since she'd last seen it, but even in black and white, with a cut slashed across his face, Anna recognised him as the man who had hugged her goodbye ten months ago.
'He's dead,' she detto blankly.
There was no way a man with a cut that almost sliced his face in half could be alive. But Anna saw, electric relief rushing through her, he was moving, stirring, alive... and looking straight out at her.
'And 200 have been confirmed dead,' finished the news reader.
'I don't want to hear this,' Anna blurted, blushing at how shrill and stupid she sounded. It probably wasn't her father. After all, it had been many months since they were together, and the cut, as well as the beard he'd grown, disfigured his face a lot. She was being an idiot.
Anna reached for the remote for one last try, but she didn't want to try to switch it off and have it keep playing. This way she could kid herself she could stop at any moment. Then it zoomed closer to her father's- no, the man's- tortured face, and she grabbed the remote, pressing the off button for ten secondi again, then again just in case. And again. The voice didn't even falter.
'Anna.'
She dropped the remote to the floor with a clatter. The voice seemed to be coming from the T.V, but it couldn't be- no.
'Anna.'
This time she saw her father's lips sposta on the T.V. He rose unsteadily to his feet, his eyes never leaving hers. They were bloodshot from the long hours, and wild and even cruel. Her father had never looked at her like that before. He seemed, Anna thought, to stumble towards her, not just on the screen, but as if, God, it was stupid, but as if he coming out of the T.V.
Anna jumped up and ran from the room, but the T.V. continued to blare, and Dad's mangled face was printed in her mind. She slammed the door behind her, but the volume remained consistent.
'Anna.'
This time the voice didn't crackle from the T.V. It came from directly behind her, and slowly, very slowly, the door was pulled open. The man who hugged her goodbye ten months fa was standing there, a mangled red cut across his face, his eyes cold and wild as he stared at her.
da Jasmine. Help and editing da James Dawson (by the way, I really recommend te read his book, 'Say her name' about Bloody Mary) and Julie Bolitho-Lee. Also, if you're British and secondary school aged, te should totally get involved in First Story.
TURN BACK NOW IF te DON'T LIKE INUYASHA!
(ME:*gulp* I don't wanna!
KYO:*whatching with interest*
INU'S CREATER:Have to!
ME:No!
INU:*unsheaths Tetsiuga* SAY IT!
ME:O.O "!"
INU:what?
ME:I don't...own Inu o other characters o his cute ears *touches inu's ears*
INU:*hurts me badly*
ME:i do how ever own Aiko,Kyo,Iuana,and Kiana!SO HA!Owwwwww!)
_______________________________________
KIANA:Iuana!Iuana!
*in the goshinbaku*
IAUNA:haha!
aiko:haha shhhhhhh.
*voices in the backround*
(on hold sorry)
(ME:*gulp* I don't wanna!
KYO:*whatching with interest*
INU'S CREATER:Have to!
ME:No!
INU:*unsheaths Tetsiuga* SAY IT!
ME:O.O "!"
INU:what?
ME:I don't...own Inu o other characters o his cute ears *touches inu's ears*
INU:*hurts me badly*
ME:i do how ever own Aiko,Kyo,Iuana,and Kiana!SO HA!Owwwwww!)
_______________________________________
KIANA:Iuana!Iuana!
*in the goshinbaku*
IAUNA:haha!
aiko:haha shhhhhhh.
*voices in the backround*
(on hold sorry)
The Mona Lisa
The Mona Lisa is one of the worlds most famous art pieces but at one point it was stolen da a man who thought that Italian paintings should be shown in Italy and not France so… when he was all alone in the room where the Mona Lisa was so he took the painting and stuffed it under his smock. It took a week for the museum to find out that the painting had gone missing. I think that ever since this painting went missing museums have più security then they did then to protect più thefts.
I think that this connects to chasing Vermeer because “the lady writing” it on the go and Calder and Petra think that it is not sicuro, cassetta di sicurezza just like how the Mona Lisa wasn’t sicuro, cassetta di sicurezza in the museum in France. I think that defiantly Calder and Petra would be helpful.
The Mona Lisa is one of the worlds most famous art pieces but at one point it was stolen da a man who thought that Italian paintings should be shown in Italy and not France so… when he was all alone in the room where the Mona Lisa was so he took the painting and stuffed it under his smock. It took a week for the museum to find out that the painting had gone missing. I think that ever since this painting went missing museums have più security then they did then to protect più thefts.
I think that this connects to chasing Vermeer because “the lady writing” it on the go and Calder and Petra think that it is not sicuro, cassetta di sicurezza just like how the Mona Lisa wasn’t sicuro, cassetta di sicurezza in the museum in France. I think that defiantly Calder and Petra would be helpful.
I am not nice but I feel.
I wonder but I don't know
what about.
I hear people talking but I never know what they say.
I see many thinks but never know what I'm looking at.
I want people to look to the past but not dwell on it.
I pretend to be something I'm not.
I fell things i cant see.
I touch and the smoothest things feel rough.
I worry that the giorno will never end.
I cry but tears never come.
I understand that not ever ones the same.
I say something i don't mean.
I dream but only see blackness.
I hope that someday someone we'll see through my shield I put up and see me.
I am not nice but i feel.
I am who I am!