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"HARRY POTTER AND THE ORDER OF THE PHOENIX" (2007) Review

I usually tried to avoid Leggere reviews of Film I am interested in seeing in the near future. Instead of relying on the opinions of others, I prefer to form my own opinions. However, my curiousity got the best of me and I could not help but read several reviews and opinions on the latest cinematic release from the HARRY POTTER franchise - namely "THE ORDER OF THE PHOENIX". Mind you, the story was never my preferito HARRY POTTER novel, but after the near travesty (okay, perhaps that descrizione is a bit exaggerated) . . . after the slight disappointment of 2005's "GOBLET OF FIRE", I could not help but wonder this successivo movie would fare. After all, the novel was longer than even the fourth entry. Fortunately, my fears proved groundless and "THE ORDER OF THE PHOENIX" has become my secondo preferito HARRY POTTER movie.

Before I begin to wax lyrical over the movie, I need to point out what I consider to be flaws in the movie. My sister had informed me that the producers of the HP Film had originally intended Mike Newell - director of "GOBLET OF FIRE" - to helm the fifth novel. Somehow those plans fell through (thank the Lord above) and they found themselves scrambling for a new director before production was scheduled to begin. They eventually settled upon UK Televisione director, David Yates. I must say that for his first theatrical production, Yates did an excellent job. But there is one aspect in which his years in Televisione did the movie a disservice was the pacing. Quite frankly, I found the pacing a bit rushed. The movie felt più like it had a running time of at least 100 o 110 minutes, instead of a movie over two hours long. I understand that Yates planned to helm the successivo HP movie, "THE HALF-BLOOD PRINCE", as well. I only hope that he will learn his lesson from this movie and maintain a better pace.

I also had a few other problems with the movie. One of them happened to be Evanna Lynch, who portrayed the eccentric Hogswart student - Luna Lovegood. Before I receive accusations of sacriledge, please hear me out. Ms. Lynch physically captured the essence of Luna perfectly. And although she managed to convey Luna's offbeat persona in a competent manner, there seemed to be something missing from her portrayal in the movie. Then it occurred to me that there were times when the movie Luna seemed to be devoid of any emotion. She came off as too serene. And as I recalled, the literary Luna was capable of expressing più emotion - including anger at Hermoine's dismissive atttitude toward her. And Luna was not the only character I had problems with. Characters like Remus Lupin (David Thewlis), Percy Weasley (Chris Rankin in a non-speaking role), Nymphadora Tonks (Natalia Tena) and the Blacks' house-elf Kreacher, barely seemed to exist. Lupin's biggest moment came when he tried to prevent Harry from chasing after the murderous Bellatrix Lestrange (Helena Bonham-Carter)

One last problem I had with the movie was the lack of closure on a few plot points. We never learned the consequences of Harry's discovery that Umbridge had used veritaserum on Cho Chang in order to coerce her into exposing "Dumbledore's Army" and Harry's lessons. I never understood why Kreacher even made an appearance in the movie, considering he did not seem to have an impact upon the story. The movie failed to bring some closure o allow Harry to discuss with Sirius and Remus about Snape's memories of the bullying James Potter. And what happened to Lucius Malfoy after Sirus (or Remus - I forgot whom) managed to defeat him? The movie never revealed his fate.

Despite the above flaws, I enjoyed "ORDER OF THE PHOENIX" very much. It still managed to be a più than satisfying summer movie. The original novel happened to be the largest in the entire series. Yet, screenwriter Michael Goldenberg managed to pare it down to the novel's main narrative. I suspect many HP fan would have preferred an exact adaptation of the novel. Thankfully, Goldenberg spared the moviegoing audience of what could have been a long and excrutiating period in the movie theater. To this day, I still believe that "THE SORCERER'S STONE" and "CHAMBER OF SECRETS" could have faced a little più editing. And some of the changes made to the story - Neville Longbottom's discovery of the Room of Requirement (instead of Dobby the house elf); no visit to the St Mungo's Hospital for Magical Maladies and Injuries (along with no repeat appearance of Gilderoy Lockhart and Neville's parents); Neville's own revelation of his parents' fate to Harry (instead of the discovery being made at St. Mungo); and Cho Chang's exposure of the Dumbledore Army (instead of Marietta Edgecombe committing the deed) - did not hurt the story at all. However, I am certain many fan would disagree. What made "ORDER OF THE PHOENIX" work for me was the combination of a mystery regarding Harry's connection to Voldemort and the growing fascist state at Hogswarts that also reflected within the wizarding world under Cornelius caramella fondente, fudge (Tom Hardy). I have to commend both Yates and Goldenberg for skillfully weaving these two elements within the movie's plot.

The movie also benefitted from excellent recitazione da the cast. In fact, I found this to be a great relief after suffering from the hammy recitazione found in the precedente entry - "GOBLET OF FIRE". Both Daniel Radcliffe (Harry Potter) and Rupert Grint (Ron Weasley) were top-notched as usual. And so was Matthew Lewis as the likeable, yet clumsy Neville Longbottom. I especially must commend Radcliffe for conveying Harry's angst over Cedric Diggory's death in the last story and frustration at being ignored da Dumbledore. And I want to sink to my knees and give thanks to the spirits above and David Yates for preventing Emma Watson (Hermoine Granger), Michael Gambon (Dumbledore), Ralph Finnes (Voldemort), Jason Isaacs (Lucius Malfoy) and also James and Oliver Phelps (Fred and George Weasley) from repeating their over-the-top performances in "GOBLET". Oh, such a relief! On the other hand, Helena Bonham-Carter's portrayal of the insane Bellatrix Lastrange did seem over-the-top. But considering that the literary Bellatrix was equally hammy, I had no problems with this. da the way, I must applaud Imelda Staunton for her delicious portrayal of "Miss Hitler in Pink" herself, namely the ladylike, yet poisonous Dolores Umbridge, a Ministry undersecretary who became the new Defense Against the Dark Arts instructor. In the novel, she is described as being toadlike, yet Ms. Staunton is obviously a più attractive-looking woman. But despite this, she managed to capture Umbridge's insidious and bigoted evil beautifully.

However, the movie's piece-de-resistance - at least for me - happened to be the battle that takes place inside the the Ministry of Magic. I must confess that the literary version of the battle usually left me slightly confused. I guess I simply found it difficult to visualize what took place. But Yates' direction not only clarified the entire battle for me, it left me feeling thrilled beyond measure. In my opinion, the battle has catapulted in what I now feel is probably the best sequence ever shown in any of the films so far. It was simply superb. Yet, there are other little golden moments in the film that I managed to enjoy:

-the Dumbledore Army's Defense Against the Dark Arts lessons

-Ron stands up to Seamus for Harry

-Filch's attempts to get inside the Room of Requirement

-Ginny's jealous glances at Harry and Cho

-Dean Thomas' (Alfred Enoch, who had più lines in this movie than the last two combined) argument with Umbridge

-Hermoine's handling of Gwarp (different from the novel)

-the fact that both Ron and Ginny helped Neville and Luna escape from Draco and the Inquisitor's Squad (I could be wrong that Ginny helped; if so, please inform me)

-Harry and the Order of the Phoenix's trip to Londra via broomsticks


And one of my personal preferito moments in the movie turned out to be Fred and George's torment of Umbridge before making their escape from Hogswarts. Classic moment.

Although "ORDER OF THE PHOENIX" possess have some flaws that prevent it from becoming my preferito HARRY POTTER movie so far ("PRISONER OF AZKABAN" still holds this titolo in my heart), I must admit that it reassured me that the movie franchise had not declined following the slightly disappointing "GOBLET OF FIRE". I do look inoltrare, avanti to seeing it again before the summer ends.
 Hello Newt, we meet again.
Hello Newt, we meet again.
Hi guys, I had finally seen the sequel to Fantastic Beast last night with my British classmate and her università friend. So, here is my review on it.

The Story

Okay, so the story takes place after the events of the first movie. Grindelwald escapes from prison da camouflaging himself and runs of to his secret headquarters, and as for Newt Scamander, he has renew his travel rights. To which I am happy with, I also learnt that he has a brother to whom he has a neutral relationship with!
We also get to meet Nagini in her human form, prior to becoming the Lord Voldemort's pet snake and the final...
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 The Cover of the Script Book.
The Cover of the Script Book.
Hi guys, I had finally finish Leggere the Cursed Child and here is my wonderful review to the 8 book of the series.

The Story

The story takes place after the events of the Deathly Hollows 19 years later, we pick off from the last part when the Potter and Weasley Families send their respective children off the Train Station and seeing them leaving for Hogwarts.
We get to know più about Albus Potter, his relationship with his parents, especially his father Harry Potter. He also befriended his Slytherin classmate Scorpius Malfoy, the son of Draco Malfoy. The once nemesis of Harry Potter but now...
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I say Hermione. Blam! Malfoy. Don't mess with Hermione again. Never be a bully. I'm serious never be a bully. Remember be più like Hermione, until your called a MUDBLOOD. Then tell the teacher!
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Short Details: Harry Potter & the ‪#‎CursedChild‬ is not a Prequel!
Its a Stage Show!
Some Websites Posts its a Prequel Of harry potter movie series but its only a stage mostra playing successivo year!

Play Details: Based on an original, new story da J.K. Rowling, Jack Thorne and John Tiffany, Harry Potter And The Cursed Child, a new play da Jack Thorne will receive its world premiere in London's West End in the summer of 2016 at the Palace Theatre.

Produced da Sonia Friedman Productions, Colin Callender’s Playground Entertainment and Harry Potter Theatrical Productions.

Harry Potter And The Cursed Child, will be directed da John Tiffany with movement da Steven Hoggett, set designs da Christine Jones, costumes da Katrina Lindsay, lighting da Neil Austin, Musica da Imogen Heap, sound da Gareth Fry and special effects da Jeremy Chernick.
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