ciao there, Swifties.
In my precedente article, I talk about Taylor Swift's first song, Tim McGraw which came out in 2006 and what we could do to have her first single from 2006 played on pop stations this year.
Now, as te may know that there will be no più country Musica for Taylor Swift. Is that true? Well, to me, I loved Taylor veloce, swift making country music. I Amore Taylor Swift's 3 albums from 2006-2010 which includes her secondo album, Fearless and my personal favorite, Speak Now. I am really anticipating to for Taylor Swift's fifth album. This will not only be Taylor Swift's first album without any country Musica but also the first no-country album made da Big Machine Records. The problem is that Taylor veloce, swift is still marketable in the country market. But it would be cool if country market can get rid of Taylor veloce, swift allowing the pop market to add Taylor Swift. Taylor veloce, swift would be a great addition to the pop market. That's way, pop market will have the whole Taylor veloce, swift franchise to itself. Which means, pop radio can play her country Musica (something that country fan prefer over her pop counterparts). Her country Musica is perfect for Musica listeners who never listen to country music. Let's continue.
I would like Taylor Swift's upcoming album to not have any country Musica and goes straight pop. So I was thinking that I want her pop Musica to go with the pop-rock route rather than just plain pop o pop-country (or country-pop). I hope Taylor Swift's pop songs will go back to the pop-rock routes and have an awesome electric chitarra sound. Let's hope Big Machine Records can make a pop Musica label department outside of Nashville. Plus, Taylor veloce, swift would be a perfect time to tackle new genres. Yes, she needs to tackle new genres beside just country and pop. She can make a rap song, she cam make a rock song, she can make an rnb song. That would be awesome. Have Taylor veloce, swift make new non-country outputs da tackling different genres and put them on her pop albums. That way, her pop albums will not only include genres but other genres not named country too like rnb.
I went to a website called Saving Country Musica and I just saw an articolo called Taylor veloce, swift Is Leaving Country. But Will Country Let Her? on this website. Let's take a look shall we?
Link taken from the article: link
"Welp, that’s that. Gauging from the commenti made in Rolling Stone‘s current country Musica special edition da the CEO of Big Machine Records aka the Country Musica Antichrist Scott Borchetta, we can now put a period at the end of Taylor Swift’s pop country career. Finito. Done. End of story. Taylor Swift’s country run is in the books, and she’s now a pop stella, star exclusively.
And for the Amore of God people, please don’t tell me she was never country to begin with. That goes without saying.
In the Rolling Stone articolo currently on newsstands, Scott Borchetta is quoted as saying that Swedish pop producer Max Martin, the man behind Taylor Swift’s last album Red‘s most pop-oriented material like “We Are Never Ever Getting Back Together” and “I Knew te Were Trouble”, worked on “most of her” successivo album. Martin was the producer behind successful pop Musica franchises such as The Backstreet Boys, N’Sync, and Britney Spears before being brought onto the veloce, swift team at Scott Borchetta’s behest. But Martin, along with his fellow Swedish collaborator Shellback, only worked on three of the sixteen total songs on Swift’s Red album, despite their footprint feeling much bigger because the partnership comprised the album’s two biggest singles.
Scott Borchetta says in the articolo about Swift’s new album, “Taylor fan are going to Amore it. Will country stations play a complete pop song just because it’s her? No.” This quote is then reinforced in a caption under a picture of Scott Borchetta and Taylor veloce, swift together.
So much can be read into this quick statement from Borchetta. A man who is known for brevity and measuring his words, Borchetta alludes to us that there will be little, o potentially nothing about Taylor Swift’s new album, o at least the singles that will be targeted for radio, that country radio will find enticing; so much so that he predicts that a format that has moved so dramatically in a pop direction in the two years since Taylor’s last release, and especially in just the last six to nine months since a major Taylor veloce, swift single, will still be completely unwelcoming to Taylor Swift’s new material. That is how pop it is. più pop than Jerrod Nieman’s “Drink To That All Night” o Luke Bryan’s “That’s My Kind Of Night”. più pop than “We Are Never Ever Getting Back Together”. If this estimate of Taylor Swift’s new material is accurate, and if country programmers will be able to resist the urge to play Taylor to audiences as her Big Machine-backed singles blow up on superiore, in alto 40 stations, then yes, it truly is time for country to say bon voyage to Taylor.
Then Scott Borchetta tells Rolling Stone, “But when she comes to town, her Friends at country radio will come and see her.” This seems to allude that Borchetta and Taylor veloce, swift don’t think they even really need country radio anymore, they’re planning without it, and can trump radio politics with the strength of Taylor’s touring might. They care so little about the acceptance of Taylor’s Musica da country, they’re downright flippant, unconcerned about it. And clearly these Citazioni are buttering up the public so when Taylor releases her first purely pop single, it doesn’t come as a complete shock. Though would it anyway, dato her track record with Red?
There’s a couple of other interesting nuggets from the same small portion of the Rolling Stone piece talking about Taylor’s new album. Though the premise of the conversation is about how Scott Borchetta, unlike many of his Musica Row bunk mates, actually extends quite a bit of creative latitude and freedom to his artists, it is also reinforced in the articolo that it was Borchetta’s idea to bring big pop producer Max Martin into Taylor Swift’s creative process in the first place.
“He’s allowed me to evolve on my own one anno at a time,” veloce, swift says about Borchetta to Rolling Stone, but the very successivo line in the articolo says, “But he did urge her [Taylor] to collaborate with Max Martin on her last album.”
This Max Martin decision is the arguably the most important, most defining moment in Taylor Swift’s entire career up to this point, and interestingly enough, it wasn’t instigated da her. It was Scott Borchetta that made the decision to bring Max Martin in, and the result has been a big shift from substantive songwriting with country pop flavor, to the pop-only, vapid stylings of Max Martin, bringing in dub-step and other influences completely foreign to country music, and resulting in shallow compositions like “We Are Never Ever Getting Back Together.” Of course Taylor veloce, swift is not completely innocent in this dramatic, and defining career shift, but its origination point is undoubtedly Borchetta.
The story of Scott Borchetta barging in on Taylor Swift’s creative process during the making of Red in late 2012 was chronicled da Billboard:
“I said, ‘You know, this song isn’t working yet.’ They both looked at me (Swift and Nathan Chapman) with a blank stare. ‘The chorus isn’t elevating like it needs to. Where you’re wanting to take the song, it’s not going there. It needs a Max Martin type of lift.”
… At that point Borchetta called Martin. Both Borchetta and veloce, swift agree that it was a turning point for “Red”.
And it was a turning point in Taylor Swift’s entire career, putting her on a completely different path from what got her to where she was.
Who is Nathan Chapman that is referenced in the above quote? He is the producer who worked with Taylor veloce, swift from giorno one, recording her first demos, and presiding over virtually all of her Musica up to Red, when a bevy of eight producers, including Chapman on certain songs, were brought in to work on, and in the Max Martin instances, co-write Taylor’s songs. Compare this to Swift’s precedente album Speak Now where veloce, swift wrote the entire album da herself, and produced it with help from Chapman alone.
We can’t assume that just because Max Martin has a majority stake in Taylor’s new album that there still won’t be moments of substance. The rules of the game are a little different in this instance. When Max Martin was brought in on Red, his sole purpose was to produce radio hits. Now, hypothetically, he will be employed to deal with a più diverse range of material. Still, it is concerning that Max Martin almost always insists on weaseling his way into a co-writing role of the songs he produces. This is what we saw with Red, and what we’ve seen with other Max Martin-involved projects.
What endeared Taylor veloce, swift to America and had critics coming to her defense was the fact that however pop she was, her songs were sincere expressions from her directly. She was the superstar that was also the girl successivo door. The Max Martin material from Red shattered this perception, and also resulted in significantly less industry awards and accolades from both country music, and all-genre based awards. It also resulted in some of the biggest sales numbers of Taylor Swift’s career. Choosing to go with Max Martin is about trading commercial acceptance over artistic substance.
At the same time, a complete cutoff from the country Musica realm makes a lot of sense for Taylor Swift. What are the two biggest criticisms Taylor has faced over her career? That she can’t sing, and she’s not country. Since her debacle on the Grammy Awards with Stevie Nicks in 2010, Taylor has at least reined in her Canto problems to some extent. And if she leaves country, this will put this long-suffering dibattito about if she’s country o not to letto for good.
So that’s good, right? Let Taylor veloce, swift go. Let the pop world have her …. Except that she was one of the genre’s last female stars that could do battle with the men who have dominated the charts and radio, and despite the Max Martin-produced material from her last album and her early material that lacked maturity, Taylor veloce, swift was one of the last vestiges of artistic substance mainstream country Musica could boast, even if she was in the genre artificially.
Country Musica lacks female talent. It can’t fill out the nominees for Female Vocalist of the anno at the CMA and ACM Awards even when Taylor veloce, swift is included. All signs point to Taylor veloce, swift wanting to shake free from her country Musica bonds, with the singles she released from Red, and now these Citazioni from Borchetta that in many respects don’t seem to be taking into account the realities of country radio. But there’s no guarantee country Musica is willing to play ball with Taylor Swift’s departure. Country Musica needs Taylor Swift, and it will be unwilling to forfeit the opportunity to have her sales and touring force fall under its umbrella without a fight.
If Taylor veloce, swift is truly leaving country, it’s hard to declare a victory for country Musica here, o for Taylor Swift. Without the support of country, and with the presence of Max Martin, there’s likely going to be a lot less trophies adorning Taylor’s mantle. At the same time Taylor veloce, swift is now free to do what she wants …. o what Max Martin wants to do with her.
Predictions:
Taylor veloce, swift will make an announcement about her new album in late July, o early August.
The new album will be released in October, o early November.
There will be at least one collaboration with Justin Timberlake on the new album.
It will include about 15 to 18 songs.
Despite Scott Borchetta’s rhetoric, country radio will still play Taylor Swift, and with a lack of other leading females to fill the spots, veloce, swift will still get nominated for country music’s superiore, in alto female awards."
See, as te may know that Trigger, a person who owns Saving Country Musica talks about why Taylor veloce, swift is leaving country Musica for good and he can do to make country Musica needs Taylor veloce, swift back. Well, according to the article, which I detto called Taylor veloce, swift Is Leaving Country. But Will Country Let Her?, there's no plans for Taylor veloce, swift to return to the country Musica department. Even if country radio can still play Taylor veloce, swift allowing her to still get nominated for country music’s superiore, in alto female awards, country Musica has no plans for Taylor veloce, swift and her country songs like Begin Again. I guess country Musica has moved on to other country Musica records like Miranda Lambert and Dolly Parton. It would be cool if pop radio can play every single Taylor veloce, swift country single like Picture To Burn, Ours and Sparks Fly. That would be pretty cool if Taylor Swift's country songs like Tim McGraw and Mean can be played on pop radio. I guess country radio will never want to play Taylor veloce, swift again. I think pop radio needs to play her country songs like Red just for fun. That would be something that Taylor veloce, swift was looking for. Plus, all Taylor veloce, swift Musica video has a pop category on Vevo. Even on her country video too like The Best Day. I want to see Highway Don't Care on pop radio one day. OK, let's sposta on.
It seems that PopDust has made an articolo called Max Martin Produced ‘Most Of’ Taylor Swift’s New Album. It says that, the articolo represents most Taylor veloce, swift songs were produced da Max Martin. So let's take a look and what PopDust has to say about that.
Link taken from the article: link
"Taylor veloce, swift always walked a thin line between country and pop Musica up until 2012′s Red, which più o less marked the completion of her transformation from sweet country songstress to the biggest pop superstar on the planet. fan who were hoping that the top-forty-friendly Red was just a phase for Tay Tay might be disappointed da her upcoming fifth studio album, with a recente articolo in Rolling Stone hinting that the record could be her poppiest work to date.
“I Knew te Were Trouble” and “22″ hitmaker Max Martin has apparently worked “on most of” Tay Tay’s new album, while Scott Borchetta –who discovered Taylor and heads her label, Big Machine Records– detto that he doesn’t expect country radio to play her new pop songs.
“Taylor fan are going to Amore it,” Borchetta detto about the new album. “Will country stations play a complete pop song just because it’s her? No. But when she comes to town, her Friends at country radio will come and see her.”
After climbing to the superiore, in alto of the musical Cibo chain with the quadruple-platinum Speak Now and Red, te can’t really blame Taylor for not wanting to return to being a crossover country artist like Carrie Underwood and Kacey Musgraves — even if it does mean that her new tunes lack the charm of her earlier work.
te know what would be perfect? If Max Martin made a bunch of country-pop fusion songs for Taylor just like his underrated Carrie Underwood production, “Quitter.” That’d be a win for everybody."
There te go. I'm happy to see Max Martin working with Taylor veloce, swift again. No più Scrivere songs about boys. Try something new each time. OK, that's it for this article.
So what do te think? Are te exciting to see Taylor veloce, swift releasing her fifth album? Do te want Taylor veloce, swift to not include her country Musica on her upcoming fifth album? Would te like to see Taylor Swift's country songs played on pop radio o other pop stations? Sound off below!
In my precedente article, I talk about Taylor Swift's first song, Tim McGraw which came out in 2006 and what we could do to have her first single from 2006 played on pop stations this year.
Now, as te may know that there will be no più country Musica for Taylor Swift. Is that true? Well, to me, I loved Taylor veloce, swift making country music. I Amore Taylor Swift's 3 albums from 2006-2010 which includes her secondo album, Fearless and my personal favorite, Speak Now. I am really anticipating to for Taylor Swift's fifth album. This will not only be Taylor Swift's first album without any country Musica but also the first no-country album made da Big Machine Records. The problem is that Taylor veloce, swift is still marketable in the country market. But it would be cool if country market can get rid of Taylor veloce, swift allowing the pop market to add Taylor Swift. Taylor veloce, swift would be a great addition to the pop market. That's way, pop market will have the whole Taylor veloce, swift franchise to itself. Which means, pop radio can play her country Musica (something that country fan prefer over her pop counterparts). Her country Musica is perfect for Musica listeners who never listen to country music. Let's continue.
I would like Taylor Swift's upcoming album to not have any country Musica and goes straight pop. So I was thinking that I want her pop Musica to go with the pop-rock route rather than just plain pop o pop-country (or country-pop). I hope Taylor Swift's pop songs will go back to the pop-rock routes and have an awesome electric chitarra sound. Let's hope Big Machine Records can make a pop Musica label department outside of Nashville. Plus, Taylor veloce, swift would be a perfect time to tackle new genres. Yes, she needs to tackle new genres beside just country and pop. She can make a rap song, she cam make a rock song, she can make an rnb song. That would be awesome. Have Taylor veloce, swift make new non-country outputs da tackling different genres and put them on her pop albums. That way, her pop albums will not only include genres but other genres not named country too like rnb.
I went to a website called Saving Country Musica and I just saw an articolo called Taylor veloce, swift Is Leaving Country. But Will Country Let Her? on this website. Let's take a look shall we?
Link taken from the article: link
"Welp, that’s that. Gauging from the commenti made in Rolling Stone‘s current country Musica special edition da the CEO of Big Machine Records aka the Country Musica Antichrist Scott Borchetta, we can now put a period at the end of Taylor Swift’s pop country career. Finito. Done. End of story. Taylor Swift’s country run is in the books, and she’s now a pop stella, star exclusively.
And for the Amore of God people, please don’t tell me she was never country to begin with. That goes without saying.
In the Rolling Stone articolo currently on newsstands, Scott Borchetta is quoted as saying that Swedish pop producer Max Martin, the man behind Taylor Swift’s last album Red‘s most pop-oriented material like “We Are Never Ever Getting Back Together” and “I Knew te Were Trouble”, worked on “most of her” successivo album. Martin was the producer behind successful pop Musica franchises such as The Backstreet Boys, N’Sync, and Britney Spears before being brought onto the veloce, swift team at Scott Borchetta’s behest. But Martin, along with his fellow Swedish collaborator Shellback, only worked on three of the sixteen total songs on Swift’s Red album, despite their footprint feeling much bigger because the partnership comprised the album’s two biggest singles.
Scott Borchetta says in the articolo about Swift’s new album, “Taylor fan are going to Amore it. Will country stations play a complete pop song just because it’s her? No.” This quote is then reinforced in a caption under a picture of Scott Borchetta and Taylor veloce, swift together.
So much can be read into this quick statement from Borchetta. A man who is known for brevity and measuring his words, Borchetta alludes to us that there will be little, o potentially nothing about Taylor Swift’s new album, o at least the singles that will be targeted for radio, that country radio will find enticing; so much so that he predicts that a format that has moved so dramatically in a pop direction in the two years since Taylor’s last release, and especially in just the last six to nine months since a major Taylor veloce, swift single, will still be completely unwelcoming to Taylor Swift’s new material. That is how pop it is. più pop than Jerrod Nieman’s “Drink To That All Night” o Luke Bryan’s “That’s My Kind Of Night”. più pop than “We Are Never Ever Getting Back Together”. If this estimate of Taylor Swift’s new material is accurate, and if country programmers will be able to resist the urge to play Taylor to audiences as her Big Machine-backed singles blow up on superiore, in alto 40 stations, then yes, it truly is time for country to say bon voyage to Taylor.
Then Scott Borchetta tells Rolling Stone, “But when she comes to town, her Friends at country radio will come and see her.” This seems to allude that Borchetta and Taylor veloce, swift don’t think they even really need country radio anymore, they’re planning without it, and can trump radio politics with the strength of Taylor’s touring might. They care so little about the acceptance of Taylor’s Musica da country, they’re downright flippant, unconcerned about it. And clearly these Citazioni are buttering up the public so when Taylor releases her first purely pop single, it doesn’t come as a complete shock. Though would it anyway, dato her track record with Red?
There’s a couple of other interesting nuggets from the same small portion of the Rolling Stone piece talking about Taylor’s new album. Though the premise of the conversation is about how Scott Borchetta, unlike many of his Musica Row bunk mates, actually extends quite a bit of creative latitude and freedom to his artists, it is also reinforced in the articolo that it was Borchetta’s idea to bring big pop producer Max Martin into Taylor Swift’s creative process in the first place.
“He’s allowed me to evolve on my own one anno at a time,” veloce, swift says about Borchetta to Rolling Stone, but the very successivo line in the articolo says, “But he did urge her [Taylor] to collaborate with Max Martin on her last album.”
This Max Martin decision is the arguably the most important, most defining moment in Taylor Swift’s entire career up to this point, and interestingly enough, it wasn’t instigated da her. It was Scott Borchetta that made the decision to bring Max Martin in, and the result has been a big shift from substantive songwriting with country pop flavor, to the pop-only, vapid stylings of Max Martin, bringing in dub-step and other influences completely foreign to country music, and resulting in shallow compositions like “We Are Never Ever Getting Back Together.” Of course Taylor veloce, swift is not completely innocent in this dramatic, and defining career shift, but its origination point is undoubtedly Borchetta.
The story of Scott Borchetta barging in on Taylor Swift’s creative process during the making of Red in late 2012 was chronicled da Billboard:
“I said, ‘You know, this song isn’t working yet.’ They both looked at me (Swift and Nathan Chapman) with a blank stare. ‘The chorus isn’t elevating like it needs to. Where you’re wanting to take the song, it’s not going there. It needs a Max Martin type of lift.”
… At that point Borchetta called Martin. Both Borchetta and veloce, swift agree that it was a turning point for “Red”.
And it was a turning point in Taylor Swift’s entire career, putting her on a completely different path from what got her to where she was.
Who is Nathan Chapman that is referenced in the above quote? He is the producer who worked with Taylor veloce, swift from giorno one, recording her first demos, and presiding over virtually all of her Musica up to Red, when a bevy of eight producers, including Chapman on certain songs, were brought in to work on, and in the Max Martin instances, co-write Taylor’s songs. Compare this to Swift’s precedente album Speak Now where veloce, swift wrote the entire album da herself, and produced it with help from Chapman alone.
We can’t assume that just because Max Martin has a majority stake in Taylor’s new album that there still won’t be moments of substance. The rules of the game are a little different in this instance. When Max Martin was brought in on Red, his sole purpose was to produce radio hits. Now, hypothetically, he will be employed to deal with a più diverse range of material. Still, it is concerning that Max Martin almost always insists on weaseling his way into a co-writing role of the songs he produces. This is what we saw with Red, and what we’ve seen with other Max Martin-involved projects.
What endeared Taylor veloce, swift to America and had critics coming to her defense was the fact that however pop she was, her songs were sincere expressions from her directly. She was the superstar that was also the girl successivo door. The Max Martin material from Red shattered this perception, and also resulted in significantly less industry awards and accolades from both country music, and all-genre based awards. It also resulted in some of the biggest sales numbers of Taylor Swift’s career. Choosing to go with Max Martin is about trading commercial acceptance over artistic substance.
At the same time, a complete cutoff from the country Musica realm makes a lot of sense for Taylor Swift. What are the two biggest criticisms Taylor has faced over her career? That she can’t sing, and she’s not country. Since her debacle on the Grammy Awards with Stevie Nicks in 2010, Taylor has at least reined in her Canto problems to some extent. And if she leaves country, this will put this long-suffering dibattito about if she’s country o not to letto for good.
So that’s good, right? Let Taylor veloce, swift go. Let the pop world have her …. Except that she was one of the genre’s last female stars that could do battle with the men who have dominated the charts and radio, and despite the Max Martin-produced material from her last album and her early material that lacked maturity, Taylor veloce, swift was one of the last vestiges of artistic substance mainstream country Musica could boast, even if she was in the genre artificially.
Country Musica lacks female talent. It can’t fill out the nominees for Female Vocalist of the anno at the CMA and ACM Awards even when Taylor veloce, swift is included. All signs point to Taylor veloce, swift wanting to shake free from her country Musica bonds, with the singles she released from Red, and now these Citazioni from Borchetta that in many respects don’t seem to be taking into account the realities of country radio. But there’s no guarantee country Musica is willing to play ball with Taylor Swift’s departure. Country Musica needs Taylor Swift, and it will be unwilling to forfeit the opportunity to have her sales and touring force fall under its umbrella without a fight.
If Taylor veloce, swift is truly leaving country, it’s hard to declare a victory for country Musica here, o for Taylor Swift. Without the support of country, and with the presence of Max Martin, there’s likely going to be a lot less trophies adorning Taylor’s mantle. At the same time Taylor veloce, swift is now free to do what she wants …. o what Max Martin wants to do with her.
Predictions:
Taylor veloce, swift will make an announcement about her new album in late July, o early August.
The new album will be released in October, o early November.
There will be at least one collaboration with Justin Timberlake on the new album.
It will include about 15 to 18 songs.
Despite Scott Borchetta’s rhetoric, country radio will still play Taylor Swift, and with a lack of other leading females to fill the spots, veloce, swift will still get nominated for country music’s superiore, in alto female awards."
See, as te may know that Trigger, a person who owns Saving Country Musica talks about why Taylor veloce, swift is leaving country Musica for good and he can do to make country Musica needs Taylor veloce, swift back. Well, according to the article, which I detto called Taylor veloce, swift Is Leaving Country. But Will Country Let Her?, there's no plans for Taylor veloce, swift to return to the country Musica department. Even if country radio can still play Taylor veloce, swift allowing her to still get nominated for country music’s superiore, in alto female awards, country Musica has no plans for Taylor veloce, swift and her country songs like Begin Again. I guess country Musica has moved on to other country Musica records like Miranda Lambert and Dolly Parton. It would be cool if pop radio can play every single Taylor veloce, swift country single like Picture To Burn, Ours and Sparks Fly. That would be pretty cool if Taylor Swift's country songs like Tim McGraw and Mean can be played on pop radio. I guess country radio will never want to play Taylor veloce, swift again. I think pop radio needs to play her country songs like Red just for fun. That would be something that Taylor veloce, swift was looking for. Plus, all Taylor veloce, swift Musica video has a pop category on Vevo. Even on her country video too like The Best Day. I want to see Highway Don't Care on pop radio one day. OK, let's sposta on.
It seems that PopDust has made an articolo called Max Martin Produced ‘Most Of’ Taylor Swift’s New Album. It says that, the articolo represents most Taylor veloce, swift songs were produced da Max Martin. So let's take a look and what PopDust has to say about that.
Link taken from the article: link
"Taylor veloce, swift always walked a thin line between country and pop Musica up until 2012′s Red, which più o less marked the completion of her transformation from sweet country songstress to the biggest pop superstar on the planet. fan who were hoping that the top-forty-friendly Red was just a phase for Tay Tay might be disappointed da her upcoming fifth studio album, with a recente articolo in Rolling Stone hinting that the record could be her poppiest work to date.
“I Knew te Were Trouble” and “22″ hitmaker Max Martin has apparently worked “on most of” Tay Tay’s new album, while Scott Borchetta –who discovered Taylor and heads her label, Big Machine Records– detto that he doesn’t expect country radio to play her new pop songs.
“Taylor fan are going to Amore it,” Borchetta detto about the new album. “Will country stations play a complete pop song just because it’s her? No. But when she comes to town, her Friends at country radio will come and see her.”
After climbing to the superiore, in alto of the musical Cibo chain with the quadruple-platinum Speak Now and Red, te can’t really blame Taylor for not wanting to return to being a crossover country artist like Carrie Underwood and Kacey Musgraves — even if it does mean that her new tunes lack the charm of her earlier work.
te know what would be perfect? If Max Martin made a bunch of country-pop fusion songs for Taylor just like his underrated Carrie Underwood production, “Quitter.” That’d be a win for everybody."
There te go. I'm happy to see Max Martin working with Taylor veloce, swift again. No più Scrivere songs about boys. Try something new each time. OK, that's it for this article.
So what do te think? Are te exciting to see Taylor veloce, swift releasing her fifth album? Do te want Taylor veloce, swift to not include her country Musica on her upcoming fifth album? Would te like to see Taylor Swift's country songs played on pop radio o other pop stations? Sound off below!