The Fifth Element uses one of the newest tricks in the science fiction motion picture handbook: perform a visual and aural assault on viewers in the vain hope that they won't notice the lack of substance, logic, and intelligence. For a few recente examples of where this tactic has been employed, check out Stargate, Independence Day, and Judge Dredd. The Fifth Element, the summer of 1997's first big-budget disappointment, is right at home in such company. A lot of money was spent on this film, but $100 million doesn't guarantee a good product. Maybe someone should have thought of spending a few...
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