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My Brutally Honest and Possibly Offensive Review of the 2004 Movie

    I’m sitting home sick from school with absolutely nothing better to do than write my (well, just read the title) review of the 2004 movie The Phantom of the Opera. Gerry phans and Patrick Wilson phans…I’d consider not Leggere this. So, here I am: putting Phantom in my DVD player and beginning to write down my random thoughts and reactions about it. te can be assured that it will be disorganized, random, completely honest, offensive, and a little inappropriate (just like me).

    Once More: GERRY AND PATRICK PHANS…YOU HAVE BEEN WARNED!!!!!

    Okay, Emmy. Let’s talk about her, since she’s the first main character to sing. I think she has a good voice, but they probably could have someone better. Her diction is a little poor sometimes and she seems to have trouble reaching some of the high notes. I wince at the “put te from my mind” part in Think of Me, and the “once inspired my voice in Twisted Every Way.

    Andre and Firmin look very…gay. Well, I guess they’re kind of supposed to. They sound less gay the OLC ones though.

    Patrick Wilson’s voice annoys me. While he’s usually right with the pitch, he has like, no emotion in his Canto and has a stupid blank expression on his face at most times. He is pretty hot…but the hair is a major turn-off.

    Okay, “Angel of Music” scene dissection. Meg (Jennifer Ellison? I think. Too lazy to look it up) is okay…I can’t think of anything specifically wrong with her but she just not that great. The one good thing I can say is that when they sing together, Emmy doesn’t drown out Jennifer, like Sarah Brightman does with Janet Devenish.

    I’m disappointed that “Little Lotte” wasn’t sung in this version, but of course I should probably be grateful, because that way I don’t have to hear Patrick Wilson sing. His speaking voice is just as annoying, however. I like how they almost exactly quote Leroux with the “Father detto when I’m in heaven, child…”. Okay, in the background we see a painting of someone that looks like Carlotta with a head on a piatto that looks a little like Andrew Lloyd Webber’s. WTF?

    And that brings us to “The Mirror”. Good job recitazione on Emmy’s part, she had some good facial expressions, and sang pretty well too. Gerry…let’s just say to preserve my sanity, I had to turn the volume down when he sang. Going back to Emmy, on the “Grant to me”, it sounds like she tried to do vibrato o something…and it didn’t work.

    DUUUUH!!! DUH DUH DUH DUH DUUUUH!!!!! Emmy does a better job Canto lower than high, I think. She’s growing on me…from, like ten minuti ago. Gerry looks sexy, as always, but makes my ears bleed. I do like his “sing, my angel” better than Michael Crawford. The horse is supposed to white! Idiots! I’m thinking they did that for symbolism though, (black=evil, white=good).

    Cape taking off=sexy. She’s wearing stockings in Musica of the Night. Okay, just remember that. Damn, he’s hot. Of course, I think a white half-mask makes anyone look better. Okay, am I the only one who noticed that when he detto “Let your fantasies unwind”, she looked down. Down. He kind of sounds German, don’t te think? I know he’s really Scottish…I don’t know, he sounds…something. He looks like a catfish. A very sexy catfish.

    Magical Lasso, blah, blah, blah. Meg going through the tunnel, blah, blah, blah. That doesn’t need my analysis.

    Okay, now SHE’S NOT WEARING ANY FREAKIN’ calza, maglia rasata when she gets out of the bed. te can interpret that however te want. Okay, she detto “Whose is the face in the mask” and was running her hand all over his sexy face, and he like has no idea what she’s gonna do...Now he sounds like an angry German guy. A sexy angry German guy. A sexy angry German guy who looks like a catfish. Okay, I’m done.

    “Notes”…what do I say about that? Well, it the only time we see Firmin without Andre, and it’s only for about a minute. They’re so gay. As for the singing…they’re good. I’d almost say better than the OLC.

    Hey, in Prima Donna they brought in the painting of her with Andrew Lloyd Webber’s head! This is one song I definitely like better in the stage show. Raoul only has like, two lines (once again, maybe that’s a good thing, though…). Minnie Driver/Margaret Preece is pretty good, but the words are way off with her mouth in some spots. o maybe she’s a ventriloquist, like Erik. Oh yeah, and I think they should use his name in the movie. I know they didn’t in the stage show, but they should have changed it.

    It’s Margaret Preece!! The person in Il Muto in the purple! I totally noticed that she sounds exactly like Carlotta. Speaking of Carlotta…she looks like a poodle/birthday cake thing. And what’s up with the midget? His only purpose is to follow around behind Piangi and mouth his lines. Stupid chandelier should fall now…

    Why Have te Brought Me Here/Raoul I’ve Been There is one of my preferito scenes. Even Patrick Wilson sounds…tolerable. I will always like how Emmy does this better than Sarah Brightman. Except for the “soar”…towards the end of the notes, Emmy sounds like she’s saying “sing”…it’s kind of weird.

    R.I.P. All I Ask of You. Patrick Wilson murdered it. When Steve Barton sings “then say you’ll share with me…” it is just so beautiful. Once I just listened to that one line on my iPod for almost a minute. P.W. still has no emotion in his singing.

    Ears bleeding again! Gerik has snot in his nose. Seriously, te can totally see it. Yes, I am that immature. EEEEEWWWW!!! And come on, no evil laugh after “All that the Phantom asked of you”!!!

    Masquerade. Never could stand this song. Andre has a frickin’ chicken on his head…I like the Furby guy though, he’s cool. And another part that isn’t sung; the “a secret engagement scene”. Not cool man, not cool.

    Okay, so Notes Two is now Why So Silent. And that is not Red Death. That is a dude in a red suit with a mask. Where’s my death’s head?!!! And te call that the torture chamber?!!

    Now, don’t even start me on the Phantom’s past and how they mutilated it. So basically Erik has been living under the Opera House since he was like, twelve. HE FREAKIN’ BUILT THE PLACE!!! Okay, maybe that was only in Kay, but…oh, well at least Javert looks rapisty. And anyways, Madame Giry shouldn’t be telling Raoul this, it should be THE PERSIAN. THE PERSIAN KICKS ASS, MAN!!

    Okay, Don Juan Rehearsal disappeared, so we jump to Journey to the Cemetery/Wishing te Were Somehow Here Again, and Twisted Every Way is moved after it. Emmy is actually pretty good in this song.

    Wandering Child is another one of my preferito scenes. I’m disappointed that Raoul doesn’t get to sing…oh, wait, never mind (Patrick Wilson…). Oh God…the Phantom would never stoop to a swordfight (AND LOSE!!), where are the fireballs?!

    The only plus of We Have All Been Blind/Twisted Every Way is Raoul’s jacket…yum.

    Gerry in his little Zorro mask is cute. The background dancers are disturbed and kind of freak me out. Wow Gerry, keep your hormones under control. I know it’s a sexy song, but those are tight pants (seriously, when they’re on superiore, in alto of the bridge…just look). And Emmy’s stupid dress straps keep falling down. The All I Ask of te Reprise is sweet, and Gerry sings it pretty well.
    Oh, wow. He is so hideously deformed. What happened to not having nose? o at least the stage show-style scarring? And once again, it should be the Persian with Raoul, not Madame Giry. The Raoul drowning scene is pointless and stupid. Also, in some spots, the bubbles go down. I didn’t know bubbles went down…

     Mmm…loving the white camicia on Gerik. The Final Lair scene is very…mediocre. The best song for Patrick Wilson, I’d have to say. Ooh, and note the subtle mouthing of “I Amore you” from Christine to Raoul. The baciare is very nice, but BOTH times they have a trail of spit hanging between them. I’m sorry, but that’s gross.

    Awww…he gives her her stalker’s Musica box. So thoughtful. I like the candle blowing to end the movie though. It’s a nice touch. And the song “Learn to Be Lonely” is really good.

    So…there te have it. My random thoughts and reactions to the movie.
posted by Fumblemunch
Righty-oh totally bored at this moment and no points for guessing what and who’s in my head, the same thing which is always there, the same thing thats been there since I discovered it, Phantom. Basically I started with the mostra then continued to the book and the film but I'm starting with thoughts on the book as it is the most important. It is the real POTO. I had planned to save Leggere it until my holiday yet when it came in the post I sat on the floor where I opened it and just read it all. I meant to just start it but once I had read the first pre chapter and learnt that the story was...
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The icona on the right was made da kiri_no_okaami at LJ.

Which E/C ship could've actually come true?

I think it’s Gerik and Emmy’s Christine from the 2004 film. The pair’s mental states and Amore for each others seemed essentially più stable and genuine, than in other versions.

Gerik was clearly far less insane than any of the stage Phantoms I’ve seen, not to mention Leroux’s original Erik. He never even physically abused Christine. (Yes, he quite violently dragged her down to the lair in the end, but it didn’t seem to actually hurt her, and when he calmed down he was very gentle for...
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I originally postato this on IMDB's board as VampireOutlaw.

No one wanted a sequel, <-- (generally speaking), it was still made, the critiques hate it, the fan hate it, it keeps on having to close down...Yet it's still here?
I know it has its share of fans, but nonetheless the crucially and strongly negative reception seems to be the situation in general.

So why the bloody hell does ALW not give up? o if he can't bring himself to, why does he keep on trying with only minor changes?

~ First a sidenote:
Love Never Dies is not a sequel to the 2004 movie because that movie is Joel Schumacher's interpretation...
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THE CURSE OF THE OPERA

Three days ago, on the 23rd of June 2013, a crisis to go down in the history of musical theatre occurred. The female lead, Christine Daee, in London's best loved musical, the Phantom of The Opera, was found dead in her hotel room after the magnificent first show's finale. Phillipa Jones, who played the role, had previously been telling the rest of the cast outlandish rumours of a face appearing behind her mirror - as the Phantom did to Christine's in the play.

Distraught, yet convinced the mostra must go on, the director (who will remain unnamed) forced her understudy to...
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added by Phantomess
Source: artistkae/RUG
added by JustHuddy
Source: Me
added by FrenchHorn
posted by JustHuddy
Curiosity Kills

This was written for the Featuring Luciana challenge. The challenge: Write a oneshot story describing Luciana's thoughs on Erik, shortly before her death.

“I want te to take off the mask. Please take off the mask.”

    I am standing in front of Erik, begging him to remove the mask that hides his face from me. I want to know his face, to see him.

    “You must excuse me, mademoiselle. I have work to finish.”

    The nerve of him! “I will not excuse you! te don’t have work to finish! I want te to take off...
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posted by Rac801
I have seen T.P.O.T.O many times, and most of them have been the 25th anniversary performance. This performance is by-far my favorite. Ramin Kariloo is the BEST Phantom I have ever seen. Sierra Boggess is also the best Christine. Hadley Fraser is one of the best Raoul's I have seen. Even Meg and Madame Giry were fantastic. Carlotta was probably my least preferito actress. I enjoyed this performance so much better because the actors seemed like they were literally their characters. I hope te enjoyed this and te can watch the entire performance on youtube. Thanks!
posted by bendaimmortal
There are various interpretations of why the old Raoul brings the monkey Musica box to her grave and some even think that all the old Raoul parts of the movie are completely useless. However, I'm one of those who believe that while the film would've worked perfectly well even without Raoul travelling anywhere with the Musica box, all the old Raoul clips are perhaps the most essential aspect of the entire film's basic point. I think they are the ultimate aspect that drastically differs the film from the stage play.

A monkey symbolizes many things that are strongly related to the story. Essential...
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added by Phantomess
Source: my roommate took these for me
added by FrenchHorn
added by FrenchHorn
Carlotta is writen as a horrid character. She tells rumors and plans schemes to eliminate christine as her competition. I think what is often overlooked is that Carlotta is one of the so many victims of the book. From what is written te can tell that Carlotta was extremely talented as an opera singer as the book mentions how perfect an instrument her voice was. She had the misfortune to be ill and be replaced da someone far più loved and adored than herself, that in itself is enough to make anyone mad, take a giorno of sick and your job isnt waiting for te when te get back. Not only was she...
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It is no secret that I'm not fond of Amore Never Dies. I don't like the idea of ALW making a sequel to a mostra that had no need of one, I don't like the fact that although a good portion of the Musica (while fairly pretty) has been recycled o pinched from other sources while Wee Andy brags about how it's the best thing he's ever done and it's SO original, and I especially am appalled da what has been done to the characters. However, as it exists and it is impossible to avoid it in the fandom o erase it from my memory, I have decided that I must analyze it and try to figure out just what in the...
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 Remind te of anyone?
Remind you of anyone?
The Haunted Mansion ride at Disney has always been one of my favourite things, and Phantom tops the lista at #1 fave thing. And a while back I started noticing really heavy similarities between the two things and I found many of them interesting. I thought I would share these observations here, so that others might enjoy the coincidences, o homages if you'd care to take it that way.

We will begin in the Foyer. Above the fireplace hangs a portrait where a young gentleman (presumably Master Gracey) hangs. It is here that the unseen guide for the attraction first makes his presence known.
"When...
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