Il fantasma dell’Opera Club
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Paris, 1890, nine years after the events of 'The Phantom of the Opera'. Nine years in which all thoughts of Erik, the Angel who'd once haunted her giorno and night had been cast aside, discarded like a broken doll. Nine years in which poor, sixteen anno old Christine had grown up, grown up into a women of high reputation, with a handsome young husband and prospects of a child.

So much can change in nine years.

Yet it only takes a little to be hurled back into the past.

Chapter One :

Paris is host to a number of fine hospitals, all which produce many a fine baby from many a fine mother. It is a particular mother however, da the name of Christine De Chagny, that our story is this time focused on.

Mme De Chagney had arrived at the Hopital de la Seine a mere two giorno previously, in labour with her first, long awaited child, and escorted da Raoul, her rather newly wed husband, the Viscomte de Chagney. They were a handsome couple who were admired da many, every woman wanting to be as beautiful as the young, talented soprano and every man aspiring to be rich like the dashing Viscomte. There was no doubt around Paris that this child would most certainly be a baby to be proud of.

"I'm so proud of te Little Lotte. te were wonderful." Raoul detto softly to his wife as he held her carefully against his sinewy body. After giving birth, with the minimum stress, their radiant new baby girl had been taken to be cleaned and checked over, leaving herself and Raoul some time alone at last.

"She was stunning, wasn't she?" Christine sighed happily, as she rested her head on her husbands shoulder. It is, dear reader, a great accomplishment to have a child - every mother feels it, and Christine was no exception.

"She was, and she shall be a fine young lady with many a suitor. But I wouldn't expect anything less from a child with your blood running through their veins," Raoul told her as he kissed her damp forehead sweetly.

A tender smile spread across the new mother's clammy face, illuminating her, and ridding her briefly of the taut lines of childbirth.

"But with te as her father Raoul, she'll never want for anything, and that is a far greater thing than suitors. Besides, for a long time the only Amore she'll want is her mother's and father's. And when her mother is away singing, it is te who will comfort her in illness and entertain her in jest, so, my Viscomte, te have da far the better gift to her."

Raoul merely let a hint of a smirk play at the corner of his lips. "Perhaps," he answered, stopping any possible argument before it began. "But that is not the real problem Mme De Chagney," he continued, watching his young wife's eyes brighten at her new name, " Is what to call the tiny thing."

Christine yawned sleepily, the strains of childbirth rushing back to her as she rubbed her eyes in fatigue.

"Aria. I like Aria," Christine mumbled, already drifting out of consciousness.

Raoul smiled at her choice.

The Viscomte De Chagny was a truly blessed man.
added by JustHuddy
Source: ensignbeedrill @ deviantart (posted da VF in the C/R spot)
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Source: ElavielEvenstar on Flickr
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 Christine and Erik, open up your mind!
Christine and Erik, open up your mind!
Hi guys, since I had only done the stage review, here is the movie review that I will write.

The Story

While the story is exactly like the stage version, some songs were revise for logical reasons. A couple of them were shortened to avoid repetition, the ending with the elderly Raoul was added that is not feature in the stage version.

Music of the Night

As mentioned, many familiar songs are feature and are shortened. Originally, the Phantom (Erik in the original novel) has a new song which was written specially for this film. But it was omitted due to time constrain, it is feature on the Special Edition DVD.

The Characters

While watching this film, I keep thinking that this film is like Disney's Beauty and the Beast, with the exception of the ending which both the antagonist and protagonist did not die.

In All Your Fantasies

So, these are my thoughts on the film and enjoy it.
 Stranger Than te Dream It.
Stranger Than You Dream It.
posted by TBUGoth
Christine sat in her dressing room waiting to go on for the first time. What had led up to this moment was extraordinary. The Angel of Musica had dato her this gift, and so much more, over the past three months, Amore of Musica bonded them; forever. She and her father had loved Musica he had taught her to sing, but since he had died, ten years ago, she hadn’t felt she sang beautifully, but now she knew it. The Angel came, and with her father’s promise being fulfilled, she reflected on the past three months.

Christine arrived in her dressing room, aside from the antique oro mirror, the rose-red...
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Source: Fdel'O
added by cypress11
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Source: elavielevenstar
I recently saw the 25th anniversary on PBS, and while I enjoyed it I did have some problems with some of the performances. I felt like the actress playing Christine was trying too hard to play up the ingenue aspect of the character. One example of this is when she first starts Canto in Don Juan Triumphant. She's prancing around the stage like she truly has "no thoughts within her head." I much prefer the solemn take of the song that they used in the movie. However, I do think that the actress in the play got better when they moved onto "point of no return".
I mostly liked the lady playing...
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posted by Fumblemunch
Righty-oh totally bored at this moment and no points for guessing what and who’s in my head, the same thing which is always there, the same thing thats been there since I discovered it, Phantom. Basically I started with the mostra then continued to the book and the film but I'm starting with thoughts on the book as it is the most important. It is the real POTO. I had planned to save Leggere it until my holiday yet when it came in the post I sat on the floor where I opened it and just read it all. I meant to just start it but once I had read the first pre chapter and learnt that the story was...
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The icona on the right was made da kiri_no_okaami at LJ.

Which E/C ship could've actually come true?

I think it’s Gerik and Emmy’s Christine from the 2004 film. The pair’s mental states and Amore for each others seemed essentially più stable and genuine, than in other versions.

Gerik was clearly far less insane than any of the stage Phantoms I’ve seen, not to mention Leroux’s original Erik. He never even physically abused Christine. (Yes, he quite violently dragged her down to the lair in the end, but it didn’t seem to actually hurt her, and when he calmed down he was very gentle for...
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I originally postato this on IMDB's board as VampireOutlaw.

No one wanted a sequel, <-- (generally speaking), it was still made, the critiques hate it, the fan hate it, it keeps on having to close down...Yet it's still here?
I know it has its share of fans, but nonetheless the crucially and strongly negative reception seems to be the situation in general.

So why the bloody hell does ALW not give up? o if he can't bring himself to, why does he keep on trying with only minor changes?

~ First a sidenote:
Love Never Dies is not a sequel to the 2004 movie because that movie is Joel Schumacher's interpretation...
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THE CURSE OF THE OPERA

Three days ago, on the 23rd of June 2013, a crisis to go down in the history of musical theatre occurred. The female lead, Christine Daee, in London's best loved musical, the Phantom of The Opera, was found dead in her hotel room after the magnificent first show's finale. Phillipa Jones, who played the role, had previously been telling the rest of the cast outlandish rumours of a face appearing behind her mirror - as the Phantom did to Christine's in the play.

Distraught, yet convinced the mostra must go on, the director (who will remain unnamed) forced her understudy to...
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