|
Tonight’s wins came in the following categories: outstanding makeup (non-prosthetic), outstanding costumes, outstanding art direction, outstanding visual effects, outstanding sound editing and outstanding sound mixing.
|
inviato
da 
Saejima
più di un anno fa
|
|
|
|
|
|
|
|
Just in case te haven’t heard, production on Game of Thrones season 6 begins this month, reminding us that our successivo Westeros fix is on the horizon … but still very, very far away.
|
|
inviato
da
Saejima
più di un anno fa
|
|
|
|
|
|
|
|
''I know some die-hard book fan are upset that, say, Jeyne Poole is gone — but how would they have liked a version of the story that omitted Daenerys? o half the Stark children? o Jon Snow’s entire storyline?''
|
|
inviato
da
Saejima
più di un anno fa
|
|
|
|
|
|
|
|
Game of Thrones writer Dave collina penned Sunday night’s episode, “Eastwatch,” and below he gives EW some creative insight about some of the fifth episode’s biggest moments…
|
|
inviato
da
Saejima
più di un anno fa
|
|
|
|
|
|
|
|
Budget limitations forced the sequence to be excised from the HBO series.
|
|
|
|
|
|
Gemma Whelan discusses Yara Greyjoy's new partnership with Daenerys and what the future holds for House Greyjoy.
|
|
inviato
da
Saejima
più di un anno fa
|
|
|
|
|
|
|
|
Warning: The interview below contains spoilers from Sunday’s Game of Thrones finale..
|
|
inviato
da
Saejima
più di un anno fa
|
|
|
|
|
|
|
|
“It’s fantastic because I get to meet so many people, but it is unsettling. There is no routine for Arya, and there is no routine for me because it varies so much. It keeps te on your toes.”
|
|
inviato
da
Saejima
più di un anno fa
|
|
|
|
|
|
|
|
Making a grand entrance on a ghostly ship, Sunday’s Game of Thrones saw the return of Petyr “Littlefinger” Baelish to the game board.
|
|
inviato
da
Saejima
più di un anno fa
|
|
|
|
|
|
|
