Why Gotham Regularly Makes Changes From The fonte Material 

Why Gotham Regularly Makes Changes From The Source Material

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has an edge over some of the others in its genre thanks to the massive volumes of

regularly strays from and changes DC canon. The show has taken liberties with everything from Batman\'s infamous gallery of rogues to young Bruce Wayne himself. The departures from traditional lore and even past seasons while still giving nods to comic canon actually really work as it allows

I was recently able to chat with Emmy-nominated director of photography Crescenzo Notarile, who is responsible for the cinematography of some of the biggest and boldest episodes of

production team might be changing for Season 3, Notarile had this to say:

As far as big changes, fortunately with this kind of show that we\'re doing, we are encouraged to think outside of the box. We are encouraged to make changes. We are encouraged to be as audacious as we can. And it\'s very fun and juicy for a cinematographer because of the nature of the show, being a DC comics strip, you know, there\'s no right or wrong per se. You can alter reality, change reality. Our world of

is our own world, we have developed it in our own way. It\'s an entity in itself. So we can create the way we see fit.

It\'s really thanks to the fact that Gotham City has become a character unto itself that the production team can go its own way. The city can switch from a busy metropolis - not to be confused with Metropolis, of course - to a seedy underworld from scene to scene, and liberties can be taken from episode to episode without diverting the overall arc.

is a world in which a mayor can be a member of an ancient cult who is later resurrected from the dead as a vengeful swordsman, but it\'s also a world in which the mob can be king with guns and money. There are no real limits to how real or how fantastical the show can be, and so the crew gets to be imaginative in how they bring Gotham City to life. The only real irrefutable fact about

is that it really, really sucks to be a uniformed cop because they all die.

episode is an amalgamation of the creative efforts of many units behind the scenes, ranging from location scouts to costumers to cinematographers like Crescenzo Notarile, who happens to have a unique perspective when it comes to finding new ways to show classic comic elements. He had this to say about his preparation for

One of the main ingredients I fed myself before I started the show is I looked at comic books. I wasn\'t really per se a comic book person, so I grabbed a bunch of comic books and collected a bunch of big volume books of

from the library and I looked at a lot of the comic books. The first thing that hit me was the compositions. Very grand, abstract angular compositions. Lows looking up, highs looking down, Dutch angles, a lot of giant elements in the foreground or frame where things are very small in the background, and I found that to be very enticing and that influenced me a lot.

As the cinematographer who tackled more than half of the episodes for Season 2 - including the season premiere, the Emmy-nominated "Azrael," and the season finale - Crescenzo Notarile is responsible for a lot of the distinctive looks of

. We might never guess that Gotham is actually New York City in disguise thanks to the angles, lighting, and coloring. Jim Gordon, Bruce Wayne, and the assorted villains have their adventures against a changing backdrop that continually makes

unique from previous seasons as well as decades of lore.

returns to Fox for Season 3 on Monday, September 19 at 8 p.m. ET. Check out our fall TV premiere schedule to see when your other favorite shows will be back on the small screen.

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