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1. If a boy is aloof, stand-offish, ignores te o is just plain rude, it is because he is secretly in Amore with te — and te are the point of his existence.
2. Secrets are good — especially life-threatening ones.
3. It’s OK for a potential romantic interest to be dimwitted, violent and vengeful — as long as he has great abs.
4. If a boy tells te to stay away from him because he is dangerous and may even kill you, he must be the Amore of your life. te should stay with him since he will keep te sicuro, cassetta di sicurezza forever.
5. If a boy leaves you, especially suddenly (while telling te he will never see te again), it is because he loves te so much he will suffer just to keep te safe.
6. When a boy leaves you, going into shock, losing all your Friends and enduring night terrors are completely acceptable occurrences — as long as te keep your grades up.
7. It is extremely romantic to put yourself in dangerous situations in order to see your ex-boyfriend again. It’s even più romantic to remember the sound of his voice when he yelled at you.
8. Boys who leave te always come back.
9. Because they come back, te should hold out, waiting for them for months, even when completely acceptable and less-abusive alternative males present themselves.
10. Even though te have no intention of dating an alternative male who expresses interest in you, it is fine to string the young man along for months. Also, te should use him to fix things for you. Maybe he’ll even buy te something.
11. te should use detto male to fix things because girls are incapable of anything mechanical o technical.
12. Lying to your parents is fine. Lying to your parents while te run away to save your suicidal boyfriend is an extremely good idea that shows your strength and maturity. Also, it is what te must do.
13. Car theft in the service of Amore is acceptable.
14. If the boy te are in Amore with causes te (even indirectly) to be so badly beaten te end up in the hospital, te should tell the doctors and your family that te “fell down the steps” because te are such a silly, clumsy girl. That false explanation always works well for abused women.
15. Men can be changed for the better if te sacrifice everything te are and devote yourself to their need for change.
16. Young women should make no effort to improve their social skills o emotional state. Instead, they should seek out potential mates that share their morose deficiencies and emotional illnesses.
17. Girls shouldn’t always read a book series just because everyone else has.
18. When Scrivere a book series, it’s acceptable to lift seminal fonte material and bastardize it with tired, overwrought teenage angst.
19. When making o watching a major feature film, te should gleefully embrace the 20 minuti of plot it provides in between extended segments of vacant-eyed silence and self-indulgent, moaning banter.
20. Vampiri#From Dracula to Buffy... and all creatures of the night in between. — once among the great villains of literature and motion pictures — are no longer scary. In fact, they’re every bit as whiny, self-absorbed and impotent as any human being.
1. Tell him that Bella really is dead.
2. Lock him in a room with Jacob.
3. Beat Edward at chess
4. Tell him that Bella ran off with Jacob.
5. Replace all his CD's with techno music.
6. Tell him that he's sparkly.
7. Do not serenade him.
8. Push him in the sunlight.
9. Kill an animal in front of him
10. Tell Edward that there are thousands of posers on Myspace pretending to be him.
11. Tell him that he smells good.
12. Ask him to eat something.
13. Ask him if he got contacts.
14. Beg him to do your homework for him.
15. Ask him to bite you.
16. Ask him if te "dazzle him."
17. Tell him that te Amore him.
18....
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Meg:

Ok.... me and my sister are beyond freaking out right now. We were talking about the end of Breaking Dawn about 15 minuti fa and then Grace was like "You just watch Jacob is gonna die!" and then we switched to talking about how Stephenie keeps comparing everyone (Edward, Jacob, and Bella) to famus book/play characters who die.

Every last one of them die. Romeo and Heathcliff(Edward), Paris and Edgar(Jacob), Julit and Catherine(damn stupid culo Bella!).

If Bella was to get in some deep trouble and it just so happened that Jacob and Edward went to save her... what if Edward endirect caused...
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I got this from Stephenie Meyer's website...I didnt write this myself!
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**A note: I don't pull any punches here, so if te haven't read New Moon and te don't want to be spoiled, don't read this.**

Writing a sequel is a very different experience than Scrivere a story. It was for me, at least.

If you've read the link, then te know that I didn't set out to write a novel o begin a career as an author. I was just Scrivere down a story for my personal enjoyment, letting it grow as it would and lead where...
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(Notes: this piece was cut from the original epilogue. Though I briefly explained Emmett's back story in Chapter 14 "Mind over Matter," I really miss not having it detailed in his own words.)

Emmett and the Bear

I was surprised to find a strange kinship growing between myself and Emmett, especially since he had once been the most frightening to me of them all. It had to do with how we had both been chosen to unisciti the family; we'd both been loved—and loved in return—while we were human, though very briefly for him. Only Emmett remembered—he alone really understood the miracle that Edward...
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*by Stephenie Meyer*



TWILIGHT - chapter 2 - OPEN BOOK


The successivo giorno was better... and worse.
It was better because it wasn't raining yet, though the clouds were dense and opaque. It was easier because I knew what to expect of my day. Mike came to sit da me in English, and walked me to my successivo class, with Chess Club Eric glaring at him all the while; that was flattering. People didn't look at me quite as much as they had yesterday. I sat with a big group at lunch that included Mike, Eric, Jessica, and several other people whose names and faces I now remembered. I began to feel like I was treading...
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