Peter Facinelli: Speaking Queens English
da Peter Facinelli (told to Eric Estrin)
Published: November 03, 2009

Peter Facinelli had plenty of passion and determination but not much in the way of craft when, as a stiff New Yorker with a “My Cousin Vinny” accent, he enrolled at NYU and threw himself into a drama career. Now co-starring in Showtime’s “Nurse Jackie” and heading up the Cullen vampire clan in the “Twilight” series -- his successivo film, “New Moon,” opens Nov. 20 -- Facinelli is a nonstop working actor with a wide range and a long resume in film and television.

He spoke with Eric Estrin about how he Lost his Queens swagger, the value of not having a Plan B, and Dick Wolf’s tradeoff.


When I was in third grade, I was in the school biblioteca and I picked up a picture biography book on Robert Redford. I started Leggere about him and the things he did, and I thought, "That’s a fun occupation to do."

Then I saw “Butch Cassidy and the Sundance Kid” not too long after that, and I thought, "That’s what I want to do."

So I told my parents when I got a little older that I want to be an actor, but to them it was like saying I wanted to go to Mars. They kind of just laughed at it. The successivo time they asked, I detto I wanted to be a lawyer, because I got a lot of oohs and aahs in the family.

For a long time I kind of convinced myself I wanted to be a lawyer. I never did any plays in high school. I was quite shy actually.

And then I went to one anno at St. John's University, and I’m studying pre-law, and I take an recitazione 101 class and I Amore it.

I remember there was a kid in the class and he said, "This is fun, but what are the chances of us actually ever being an actor?" I kind of got mad at that, and that’s when I made the decision that I was gonna be an actor, and I said, "I don’t care if it takes me six years to start getting work." I was just that passionate about actually doing it, and I didn’t like the fact that this kid detto that we couldn’t.

I knew a manager who kind of found me through friends, and his name is Mark Amitin. Mark steered me in the right direction. On his advice, I transferred into NYU to study acting.

For a whole anno I was going up on stuff and I was probably really terrible. Every time I walked out of the room, I had this great high, like I was doing what I wanted to be doing, and I was really excited that I was able to go out on things. I was getting some really crappy feedback, but for some reason, my agent stuck with me.

I was horrible. They were saying, "This kid can’t act, he’s terrible." But te know, it was a great learning curve for me.

I think I had natural instincts, but I was also stiff as a board when I first started out. I also had a really thick New York accent at the time. I was like “My Cousin Vinny,” so that was very limiting, but te know, NYU knocked that right out of me.

When you’re studying acting, you’re studying every tool te need. I had speech classes, I had voice classes, I had movement classes, I had recitazione training classes. You’re Leggere plays …

When te walk in, te have all these character traits, and what they do is, they neutralize you, so when te walk out, if te start in a neutral position te can play any character.

So I kept training and I kept studying and then I booked a “Law & Order” episode and I took two weeks off from school to do that.

Then Dick lupo liked me, so he put me in the guest lead of a short-lived series he had called “The Wright Verdict,” and I had to take another two weeks off from school to shoot that. I was off for about a mese and I realized, now it’s too late to do the semester, so I thought, I’ll just take a semester off and go back.

But then I started booking other work, and I never went back, 15 credits shy of graduating.

People always ask me if I have any consigli about going into acting, and I say, "Don’t have a backup plan, because you’ll use it." I didn’t have a backup plan. I was 15 credits shy of graduating college, so for me it was sink o swim.

It’s funny because I saw Dick lupo years later. I was up for a SAG Award for “Six Feet Under” for Ensemble, and I saw him there at the SAG Awards and I said, "Dick, you’re the reason I don’t have my diploma. But you’re also the reason why I got my SAG card, so it was a good tradeoff."