Cenerentola (2015) - Rotten Tomatoes. 

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Cate Blanchett stars in this new vision of the Cinderella tale from director Kenneth Branagh and the screenwriting team of Chris Weitz and Aline Brosh McKenna for Disney Pictures. ~ Jeremy Wheeler, Rovi

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All Critics (18) | Top Critics (4) | Fresh (17) | Rotten (1)

A retrograde fantasy with the depth of a dressing-up box, but it's spirited, genuinely funny and played to the hilt by an excellent cast.

Sitting in theater its hard not to get swept up in Branagh's old-fashioned cinematic magic.

Most recent Disney movies look suspiciously at traditional fables and their values. This Cinderella wants viewers to believe in them with every fiber of their being.

Making such a traditional Cinderella film really illustrates what a weak story Cinderella is to begin with.

Faithful to the story and tone of the original, but goosed with just enough character development that it doesn't feel socially backward. If anything, it's really quite magical.

Cinderella enthralls with its ravishing style and timeless message of resilience, decency and kindness triumphing over evil.

Very little is out of place in Branagh's do-over, but that's almost a problem: there's a feeling, throughout, of going perfectly through the motions.

This glass slipper may look a bit cold and univiting because it's so familiar, but it is also -- as the Fairy Godmother points out -- surprisingly comfortable once you try it.

Uplifting and full of that hard-to-capture sparkling sense of wonder, this is an enthralling addition to the trustworthy Disney brand of memorable, magical fairy tales.

It's all very sweet and harmless, though you can't help wishing that Cinders got her happy ending for more than being kind to her digital mice and weathering a lot of crap with a never-ending smile on her face.

Walt Disney's Cinderella is the best film yet in their "turn our animated classics into live-action blockbusters" sub-genre.

While it might have been nice to see the new-model Cinderella follow Frozen's progressive, quasi-feminist lead, the film's naff, preserved-in-amber romanticism is its very charm.

"Cinderella" does not try to be transgressive, or even progressive, and unashamedly sells itself as the old-fashioned wish-fulfillment little-girl fantasy that 'Fifty Shades' tries to whip its way out of.

Such is the affable tone and vivacious, good-natured spirit of this charming piece of cinema, that you are able to look past any flaws, and enjoy this for what it is.

It's been made with enough care and belief in its material that it manages to refresh our relationship to the iconic tale.

Anyone nostalgic for childhood dreams of transformation will find something to enjoy in an uplifting movie that invests warm sentiment in universal themes of loss and resilience, experience and maturity.

Though this lavish, live-action 'Cinderella' could never replace Disney's animated classic, it's no ugly stepsister, either.

Provides a little geopolitical context for the story's fantasy kingdom, without forfeiting the magic - both supernatural and romantic - that has made Cinderella such an enduringly necessary tale for generation after generation.

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