In our 'Girl Crush' series, women with mutual admiration for one another get together for conversations that offer illuminating looks into what it's like to be a woman right now.

When we look back at this moment as a period in time when women started talking about feminism and identifying as feminists with a passion not seen for many years, some of the high watermarks in this fourth-wave resurgence will be Beyoncé's 2014 VMAs performance, Malala Yousafzai's Nobel Peace Prize acceptance and, of course, Emma Watson's stirring speech at the United Nations. Emma's moving words and her work promoting gender equality through the UN's HeForShe movement provided the first real introduction to the concept for many young women (and men). For her part, the actress says she's identified as a feminist since she was a kid, but she also credits writer, artist, intellectual, and feminist icona campana, bell Hooks, autore of Feminism is for Everybody among many other key texts, with inspiring her and helping shape her understanding and beliefs through her essays, books, and videos. And as for campana, bell she says she is equally as inspired da Emma.

Bell Hooks: Ms. Emma Watson, te are my latest girl crush.

Emma Watson: Aww, bell. Well, you've been my girl crush for a little while now.

Hooks: Oh, yeah? How did I come to be your girl crush?

Watson: I came to te through my friend Lilah. The minuto that I got the UN position, the first thing Lilah did was to send me one of your books. And then as I was doing my own research, I found the video of te speaking at The New School. And I was like, "Who is this woman? She's so funny." I loved your attitude so much. Everything te detto just seemed to be coming from such an honest place. It was a pleasure to listen to te speak. I got hooked. I started watching video after video after video after video. Then I met with Laverne Cox, and we talked about you. I had watched te in conversation with her. It was Laverne who said, "Listen, te have to meet her in person. She's wonderful." So I read your work and then we met. That's been my journey, really.

Hooks: That's so funny because I came to te through your work as well, watching te as an actress in the Harry Potter movies. As a cultural critic who writes about women and representation, I was fascinated da the character of Hermione. It was both exciting and at times infuriating to watch the way the character of Hermione developed and to see this vibrant image of a girl who was just so intelligent, who is such a thinker, then to also witness that that intelligence was placed in the service of boy power. Even so, it remains an important representation for girls.

Watson: I think it is. She's important because she -- well, certainly when I was Leggere Harry Potter, I started Leggere Harry Potter when I was 8 -- I just really identified with her. I was the girl in school whose hand shot up to answer the questions. I was really eager to learn in an uncool way. In a super uncool way, actually. And then the character of Hermione gave me permission to be who I was.

Hooks: Did playing Hermione inspire te to want to be più intelligent? How did the parallel growth of the character of Hermione and your own self take shape as te moved towards I'm going to college, I'm doing certain things?

Watson: It was really interesting because at first, despite the obvious similarities, I guess I was also trying to detach my sense of self from the image. It was such a delicate time -- I was 10 o 11 when the first movie came out -- I was trying to figure out what my own identity was, but I didn't really have one yet. And I watch interviews that I did when the first movie came out and I was so lost! [Laughs] I would think, "What do young girls talk about? What do they say?" "I like going shopping and I have a crush on Brad Pitt." And I had no idea who Brad Pitt really was! I hadn't seen a single movie that Brad Pitt had been in, but this just seemed like the right thing to say. It makes me sad because I see this girl trying so much to fit in. The truth was I loved school. [Laughs]

Hooks: All females living in the modern culture go through this transitional phase of sort of trying on acceptable immagini of femininity.

Watson: At first I was really trying to say, "I'm not like Hermione. I'm into fashion and I'm much più fresco, dispositivo di raffreddamento than she is," and then I came to a place of acceptance. Actually, we do have a lot in common. There are obviously differences, but there are a lot of ways that I'm very similar. And I stopped fighting that!

Hooks: I was often annoyed with the development of the movie character of Hermione. da the time of the last movie, she's like a suburban housewife.

Watson: [Laughs.] Well, she goes on to have a career. And she does go on to do good and interesting things.

Hooks: It's interesting that in the final scenes at the train station Hermione is such a passive image.

Watson: I've not thought about that.

Hooks: I was like, "why is she looking frumpy?" and I wondered whose idea is this. Is this how the smart girl progresses? She moves from being intriguing to being the boring spinster? Film are still struggling with how to create immagini of smart, vibrant, powerful, and intelligent older females.

Watson: Honestly, just from a practical perspective and not from an intentional perspective, we had such a hard time figuring out how to authentically age us -- to take us from where we were -- we were all 20-year-olds, and to make us look like we're in our 30s and 40s… we had a really hard time figuring out how to do that. We really struggled.

Hooks: Well, I think that's that whole domanda of how do we become women of power and at the same time be able to project that we are attractive, cool, desirable. I'm thinking of Amy Schumer's "Last Fuckable Day" -- have te seen that?

Watson: [Laughs] Of course.

Hooks: And I've thought about how that video annoys me because in the end they seemed to be recitazione like it's OK, it's just another transition. When I thought, gee, if they had just taken a minute, that it's really exciting that we can sposta on to being our real selves. And with immagini to celebrate that aging allows [women] to sposta from object to subject that are più real to who we are in this stage of our life. It would have taken just sixty seconds, o at least two minutes, just to celebrate being real, but rather than what -- to me -- would have had the flavor of a really interesting critique, they end up being like, "it's OK now." Rather than saying, "let's proclaim the best is yet to be here, honey. Not because we can chug melted ice cream but because it's a wonderful stage in life." As an older woman, over the age of sixty, it's an interesting, exciting time. Many of those struggles that we're talking about with identity happen when we are younger. That change happens through the aging process -- te realize that te don't want to stay in this character that te were. For me, it's so much the character of talking about race and/or feminism. And yet there are just a lot più things that interest and excite me. I look at how to bring that whole self out. I'm interested in fashion, too. I'm particularly interested in fashions that are comfortable and beautiful. I have an complessivamente, generale obsession in my life with beauty. I'm always wanting to surround myself with the kind of beauty that uplifts you, that runs counter to some of the stereotypes of feminist women.

Watson: Yes, yes. In Feminism is for Everybody, I found a reminder of just what te were saying, "To critique sexist immagini without offering alternatives is an incomplete intervention. Critique in and of itself does not lead to change."

Hooks: I was thinking about what te were saying earlier -- that I am funny. A lot of people think I am, but most people don't. [Laughs] I was telling te that when we first met. That's a pretty big stereotype about feminists, that we're not fun, that we don't have a sense of humor and that everything is so serious and politically correct. Humor is essential to working with difficult subjects: race, gender, class, sexuality. If te can't laugh at yourself and be with others in laughter, te really cannot create meaningful social change.

Watson: I agree. The più te know, sometimes it makes it harder to speak out. te want to include so much and te want to be aware of so many things. That's why I'm impressed. te know your topic so well that you're able to be free with it and you're able to make jokes and you're able to be so confident within that. I think that's what's so great about hearing te talk. te have that ability.

Hooks: Then, of course, when I'm improvising, I make mistakes. Like when I was talking about the trafficking in girls and the sort of worship girls have for someone like Beyoncé, I was really talking -- not about the person Beyoncé -- but of her image as being that of a kind of a terrorist. That just blew up in my face because people took the commento out of context. I want to know how you're dealing with how your words are heard and used, Emma? For both of us, albeit in our different levels of celebrity, fame, we have to be constantly watching all the time what we are saying and how it will be received.

Watson: Yeah, I feel I have to be quite vigilant. It's made me sad at times. I feel that fear of am I'm looking at this from all of the angles, how can this be interpreted, how can it be taken out of context? But I do have a lot to learn and I should be wary. But I agree with you. I think that it's really difficult to communicate through the media and through that medium sometimes.

Hooks: It's definitely challenging. I, unlike you, have not been so engaged with social media. The New School conversations catapulted me into social media in a way. It was both on one hand exciting but on the other hand you're più subject to people misinterpreting what te say. And that was something that I had to accept. In a way, especially for females, too, te have to get over any kind of attachment to perfectionism. o to being liked da everybody all the time, o understood da everybody all the time. It's just like when the Beyoncé commento was all over everywhere, and then Janet Mock postato this video where I was dancing to "Drunk in Love," and I was criticized for being hypocritical. To me, that wasn't a contradiction, because I wasn't talking about her music. We live in a world where most people don't think in complex ways, and it's very easy for there to be miscommunications and misunderstandings. Speaking of misunderstandings, let's talk about the word feminism. When does that come into Emma Watson's life?

Watson: It's in my life every day. I find that all the time when I engage with people for whom feminism might not come into their world o their consciousness but it has come in through my UN speech, o I'll be wearing a HeForShe band o whatever else and there is such an overwhelming amount of misconception around the idea. My UN speech was received really well, but da the people that it's critiqued by, they detto it's so basic. It doesn't go into the important things. I don't know if it's really understood how much misunderstanding and how little understanding there is around this word -- and around these ideas -- still for a huge amount of people.

Hooks: When did te first come to use the term feminism?

Watson: When I was 9, I think, during my first-ever Harry Potter conference, I detto I was a "bit of a feminist"! Ha! I think I was scared to go the full hog. I was scared I didn't understand what it meant. I obviously did, I was just so bemused da all the chatter around the idea.

Hooks: Emma, te are such a perfect ambassador. te have such a global presence. When te are speaking out to a global audience, te have to start where that world is. That means, at times, starting with things that are basic. That's how I perceived your UN speech. This is a shout out to females and males all over the world. It's like when te go to a foreign country and you're trying to communicate, we often use più simple ways of saying something, of bridging that gap of language and culture. So tell me più about your campaign, HeForShe, and what te are hoping to do with your ambassador position in 2016?

Watson: In Feminism is for Everybody, te write about the ways that feminism almost got hijacked a little bit da academics and da gender studies and da only being talked about da this specific group of people. It can and should be academic, and that kind of thinking is so important, but te talk about how it has to be a mass movement to make a big difference. I don't want to preach to the choir. I want to try to talk to people who might not encounter feminism and talk to them about feminism. It's a really interesting job, and it's a really interesting line to tread. I want to engage in the topic with people who wouldn't normally.

Hooks: That's how I felt when I wrote Feminism is for Everybody. I wanted to write this easy-to-read book, a simple book. I knew that there were people who would say: This isn't very theoretical, intellectual. But that wasn't its purpose for me. Its purpose was to break things down. Students would say, "When I go home, I try to tell my parents about what I'm learning in Women's Studies, but they don't seem to get it." And I thought, I'm going to write this little book that te can give to people that will be that introduction into feminist thinking.

Watson: I just started a book club.

Hooks: Yes, Our Shared Shelf --

Watson: I'm Leggere so much and exposing myself to so many new ideas. It almost feels like the chemistry and the structure of my brain is changing so rapidly sometimes. It feels as if sometimes I'm struggling to keep up with myself. It's a really cool period of time for me. My work that I do for the UN is all very clearly outlined, but my personal visualizzazioni and opinions are still being defined, really. So it'll be an interesting time.

Hooks: As part of your efforts for activism and for self-growth, you're taking a anno away from acting. That's a big decision.

Watson: I'm taking a anno away from recitazione to focus on two things, really. My own personal development is one. I know that te read a book a day. My own personal task is to read a book a week, and also to read a book a mese as part of my book club. I'm doing a huge amount of Leggere and study just on my own. I almost thought about going and doing a anno of gender studies, then I realized that I was learning so much da being on the ground and just speaking with people and doing my reading. That I was learning so much on my own. I actually wanted to keep on the path that I'm on. I'm Leggere a lot this year, and I want to do a lot of listening.

Hooks: You're kind of homeschooling yourself. The good thing is that studying in a più institutionalized way -- you're not foreclosing that. te have time. And now, te can reach out to people like Gloria Steinem and campana, bell hooks.

Watson: It's been amazing. I've been doing a lot of that. I want to listen to as many different women in the world as I can. That's something that I've been doing on my own, through the UN, the HeForShe campaign, and my work generally. This January, our HeForShe IMPACT champions are ten CEOs who for the first time will be releasing to the media what their companies look like internally. So how many CEOs are male o female, the gender wage gap. We'll be making all of these statements completely transparent, which is huge. It's never been done before. So big companies like Vodafone, Unilever and Tupperware will be standing up to the media and really acknowledging the issues within their own companies and talking about how they are planning to address these issues as HeForShe IMPACT champions. I'm very interested and excited to see how that works out. I'll also take another field trip in the successivo two o three months. We are organizing a HeForShe arts week, a università tour, and launching the HeForShe website. It's a lot. There's a lot to do.

Hooks: Well, it certainly sounds like a lot. So as I'm hearing this, I'm wondering -- when are te going to have any downtime, any fun?

Watson: Yeah. [Laughs].

Hooks: Sometimes it's hard to recruit people to forms of activism for justice and ending domination because they think that there won't be any time left for fun. Everyone needs to have a balanced life. Being balanced is crucial, because it helps us not to over-extend o to try to live up to other people's expectations in ways that leave te feeling empty. There are people who are very cynical about celebrity activism. As a consequence, it may lead celebritàs to feel like they've got to do più to prove they are genuine.

Watson: When I was talking to my mom about going and doing the gender studies, she was like, "it feels like you'd be trying to prove to everyone that you're smart and trying to prove something da doing that. You're learning so much on your own at the moment and enjoying it so much. te can prove that te care about it da spending time listening and talking to as many people as te can and keep doing what you're doing." I do feel like I have to overcompensate at times.

Hooks: One aspect of what te are talking about that's so great is just being open and open to learning. A lot of times we know that in the world of celebrity activism, celebritàs jump into a cause, but rarely are they telling us, "I'm studying, learning, I'm taking it slow, talking to people." It's so exciting that you're doing that. You're really sincerely struggling with what is needed to create a world without patriarchal domination. Thinking about the issue of female power, if te could give females, women, one thing in this world towards this vision of female liberation and power, what would it be?

Watson: I'm on my journey with this and it might change, but I can tell te that what is really liberating and empowering me through being involved in feminism is that for me the biggest liberation has been that so much of the self-critiquing is gone. So much energy and time -- even in subtle ways -- I'm 25 now and I've certainly come a long way from where I was in my early 20s. Engaging with feminism, there is this kind of bubble now that goes off in my head where these really negative thoughts about myself hit where I'm able to combat them in a very rational and quick way. I can see it now in a way that's different. I guess if I could give women anything through feminism -- o you're asking about power -- it would just be, to be able to sposta away, to sposta through all of that. I see so many women struggling with issues of self-esteem. They know and they hear it and they read it in magazines and libri all the time that self-love is really important, but it's really hard to actually do --

Hooks: I was thinking that the two things that I think are so vital for women globally are self-love and literacy. Growing up in a fundamentalist Christian home with very narrow beliefs about gender -- initially, my eyes were opened da reading.

Watson: Those would be my exact two as well. My understanding that has allowed me to feel so much più accepting and loving of myself as a woman -- it came through reading.

Hooks: Often people in the West forget that masses -- millions and millions of women and girls in the world -- don't have access to education and are not taught to read and write.

Watson: That's right.

Hooks: And for me, Leggere and studying is one of my deepest passions in life. It's like breathing. That's what I'd like to share. I felt from the moment I met te -- in terms of how a girl crush forms, it's one of the ways our spirits resonate -- that we think and dream about similar passions, and that's exciting. In many ways, we live in very racially segregated societies. There are so many types of people, and racially we don't attraversare, croce boundaries. The New School talks were exciting because mostly I was able to choose people like Laverne Cox to talk with. Then bringing Laverne to my really small town in Kentucky to inaugurate the campana, bell hooks Institute -- that was so exciting. I feel like part of creating a world that is just and diverse is pushing against those boundaries that close us off from one another. I'm glad that I'm not closed off from you, and that we're going to have più fun conversations in the days ahead.

Watson: Yes, absolutely. I wanted to ask te -- just coming back to what are te going to do for fun -- one thing that I am going to do that I've been working on for a while is completing my yoga Level 3 for meditation teaching. I noticed that in All About Amore te have a quote da Jack Kornfield, who I read when I was really getting into meditation, and I was wondering, was that in a book that te had read?

Hooks: Exactly, that's just what we were saying. Sometimes I think, is there anything that I come to that I don't come to first in a book? It makes me laugh.