Sara: Hello?
Michael: Sara...it's me.
Sara: What do te want?
Michael: I don't have time to talk, there's every chance their listening to this call right now. But there's a lot I want to say. Please don't hang up on me.
Sara: I don't want to talk to you.
Michael: I heard about what happened. I want te to know, how sorry I am, for everything.
Sara: Sorry's not going to do me a whole lot of good with what I'm up against right now.
Michael: Listen, anyone with any ties to me and my brother is in danger now.
Sara: I have no ties to te and your brother, anymore.
Michael: There's a way I can protect you. It's already in your possession.
Sara: What, are te talking about?
Michael: It was real Sara...you and me, it's real.
Michael: Michael?
[Scene ends with Michael closing his phone.]
2.10 - RENDEZVOUS
Scene #1
Michael: Hello, Sara.
Michael: I wasn't sure you'd come.
Michael: I didn't have a choice.
Michael: This isn't going to be easy for you.
Michael: te detto in your message, te had a plan to make this right, I need to know what that is.
Scene #2
Michael: I've arranged for us to get to Panama, were meeting up with my brother tomorrow.
Sara: Wait...that's your plan.
Sara: To run away to Panama with two of the most wanted men in America. Michael, I came here because I thought te were gonna have real risposte for me.
Michael: This is an answer. And right now it's the only one we've got.
Sara: Running away into the sunset with the man who lied to me. Really? I mean, did te know about the other guys? Did te know that I would be putting T-Bag back out on the streets?
Michael: I never meant for that to happen. I was doing what I needed to do. My brother was gonna die.
Sara: My fathers, dead.
Michael: I am sorry about your father. I'm sorry for a lot of things. For what I did to you. I have many regrets. But that's the biggest.
Sara: That doesn't help me right now.
Michael: I'm sorry for that too.
Michael: I didn't expect te to forgive me. But I don't want te to be alone in this.
Sara: I don't want to be alone.
[This is when they see Mahone racing down a dirt road.]
Michael: Let's go. Get in the car.
Sara: We can't get out this way.
Sara: Michael, that's the only way out of here.
Sara: An, that's the way were going.
[Chase begins!]
Michael: Hold on, just hold on.
Sara: Michael, what are te doing?
Michael: Just hold on.
Sara: MICHAEL?
Michael: te alright?
Sara: He's still behind us.
Michael: Hold on.
[Car crashes into a building, Michael helps Sara out of the car and they run into another building.]
Scene #3
Sara: We got to get back to my car.
Michael: It's too far.
Sara: If we go now, before he get's più people.
Michael: He's not going to call for backup. He wants his privacy.
Sara: Why?
Michael: He's not trying to catch me, he's trying to kill me.
Scene #4
Sara: I don't want to get trapped in here.
Michael: There's got to be an exit on the other side.
Michael: te go on.
Sara: Michael.
Michael: I'll be right behind you...go!
Scene #5
Michael: I bought us some time.
Sara: You, okay your bleeding
Michael: Let's go.
Sara: Your seatbelt.
Scene #6
Sara: Okay, first aide kit, disposable phones and toothbrushes.
Michael: What about the hotel?
Sara: They charge da the ora so they didn't ask for id.
Sara: Do te have the keys?
Michael: Yeah.
Sara: Need your hat?
[Michael, shakes head no.]
Scene #7
Sara: This isn't going to feel good.
Michael: I have a high tolerance for pain. te know that.
Sara: I do. And your not a diabetic are you?
Sara: Right?
Sara: Michael tell me something. te think there's a part of te that enjoys this.
Michael: Peroxide in an open wound? No.
Sara: I mean escaping from prison, being on the run and the danger, the fear, the rush all that. It feels to me like, chasing a high. And I know what that's like. And I should know better, da now.
Michael: I never thought about it like that.
Michael: I know you've heard this before. But it won't always be like this.
Sara: From everything you've told me...it's just getting worse.
Michael: They can't chase us forever. The guy who caught up with us today, he stops at the border. That's why we have to get across. And I have the people in place to help us do that. We're meeting them tomorrow. One più giorno Sara, one più day. That's all I'm asking.
Sara: Then go get cleaned up. Keep this dry.
Michael: Sara, I'm glad te came.
2.16 - CHICAGO
Scene #1
Sara meets up with Michael and they then embrace in a hug.
Sara: Well, yeah. (Referring to her short hair).
Scene #2
Sara: te actually think we have a shot.
Michael: It depends on what your father gave you.
Sara: This fell out of his pocket, but I don't recognize the insignia.
Michael: No, but uh...Sara we've got someone working with us now.
Scene #3
Kellerman: Hey, Sara...what's done is done, we all what the samething.
Michael: te didn't tell us te left her to die.
Kellerman: I was scarring her, I was going to pull her out.
Sara: No, te left me in there to drown.
Michael: I wonder how long te can hold your breathe. Maybe we should find out.
Kellerman: te need me and te know it...You need me...You need me to keep going.
(Michael then lets go).
Sara: Why do we need him, we have the key we'll find out what it's for.
Kellerman: I can tell te what that keys for right now. It to a private cigar club.
Lincoln: Where?
Kellerman: Chicago.
Scene #4
Michael: te okay
Sara: Yeah
Scene #5
Sara: Michael, do te know if there's any way I can get any water.
Michael: Yeah, I think there's a bathroom down stairs. I'll check.
Sara: Thanks.
Scene #6
Michael: Sara...settle down.
Lincoln: Hey...
Kellerman: One of them, just get one of them...one.
Michael: Calm down (referring to Sara).
Kellerman: Just so we're all clear, she tries that again...
Michael: You'll what?
Lincoln: Just stay on the other side of the car.
Sara: Nothing personal Paul.
Scene #7
Michael: ciao Sara!
Sara: Not now.
Scene #8
Michael: ciao Sara.
Sara: Come on in.
Michael: Hey.
Sara: I'm sitting here evaluating...I uh jumped bail, I'm on the run and I just tried to take a man's life. I'm not using, which is actually quite an accomplishment. But three weeks fa I was a doctor.
Michael: te can get that back, all of it. I need to believe that.
Sara: te believe that. te think te can all get it back.
Michael: I choose to have faith. Cause without that I have nothing. It's the only thing that's keeping me going.
Sara: Well, I've got two things keeping me going. First is I want the people that took my dad. And actually the second, ironically I probably wouldn't even say if I hadn't Lost him, but um te should know...uh, the first thing they tell te when te take the job (cough) is uh...never fall in Amore with an inmate.
(They then began to kiss).
Scene #9
Michael: te want to take a walk.
Sara: Yeah.
Scene #10
Michael: Oh, Sara. About before...me too.
Sara: Yeah.
2.17 - BAD BLOOD
Scene #1
Sara: te sure about this.
Michael: No.
Sara: Either way te still owe me dinner.
Michael: Is that so.
Sara: Yep, first week in volpe River te promised me if te ever got out of there you'd take me to dinner.
Michael: Well maybe after we avvolgere this up, we can stop off and get te a burrito on the way back to Pope's house.
Sara: Scofield, I don't know what your use to but anything short of a filet mignon is not going to cut it with me.
Michael: It's a date.
Scene #2
Sara: Here we go.
Sara: te think its a conversion.
Michael: One they don't want us to hear.
Michael: te ready.
Lincoln: Let's do it.
2.18 - WASH
Scene #1
Sara: Oh my god!
Michael: (nods)
Sara: Yeah.
2.20 - PANAMA
Scene #1
Sara: Hello.
Michael: Hey, are te alright?
Sara: Yeah, I'm fine just heard about the President, what does it mean?
Michael: It means, its time to go.
Sara: Okay...when?
Michael: 10 minutes. How far away are you?
Sara: 5.
Michael: Listen Sara, Linc and I are on the ship...this is it there's no turning back now so uh I know its not what te wanted from your life, but in case your interesting there's room for one more.
Sara: Michael Scofield, te asking me to sail off into the sunset with you.
Michael: Well it's più of a fretter, but uh yes.
Sara: I'll be there.
Michael: See te soon.
Scene #2
Sara: Yeah.
Michael: Sara, what's the matter, the ship is leaving.
Sara: Michael!
Michael: What's wrong? Sara?
Sara: I'm already on board. I'm sorry I must of just missed you, where are you?
Michael: We're on deck.
Sara: Great. I'm on my way up...Love You!
2.22 - SONA
Scene #1
Sara: So I got your message. Thank god I found te guys.
Michael: Thank god is right.
Sara: Michael, Lincoln's free.
Lincoln: What?
Sara: Uh, its all over the news. Paul Kellerman, came inoltrare, avanti and he had everything documented and he made a full confession.
Michael: Are te serious?
Sara: Yeah.
Lincoln: Everything.
Sara: Everything, all charges.
Lincoln: Whoah...Man what a...
Sara: te don't have to run anymore.
Lincoln: What about Michael?
Sara: Ugh, a friend of my fathers getting into it, but he's pretty confident that under the circumstances nobody's going to pursue te on this.
Lincoln: I need a drink.
(Sara laughing)
Sara: I'll go see what I can find.
Scene #2
Sara: Michael I took a man's life
Michael: Don't think about that now. te and I've got a date, remember. Two limes a couple beers don't forget that. Give me the gun.
Sara: I took a man's life.
Michael: We're going to walk out of here together. And we'll tell them exactly what happened. Look at me...Look at me. We're going to tell them what happened.
Sara: Okay.
Michael: We're going to explain everything. And I'm going to do whatever I can to help you. Okay.
Sara: Yeah
Michael: Now give me the gun.
Sara: Here.
Sara: I Amore you
Michael: I Amore te too, Sara.
Sara: Okay
Michael: Alright
(Michael and Sara then sposta outside where Michael takes Sara at gunpoint).
Michael: Don't move! I'll shoot.
Sara: Michael, what are te doing?
Michael: Nobody move...Nobody!
Michael: te sacrificed everything for me once.
Sara: No!
Michael: No, don't move!
Sara: I can't let te do this...Michael...Michael!
Michael: Now it's time to say thank you.
Sara: No!
Michael: It was me...It was me!
Sara: No, he's done nothing wrong, he's innocent.
Michael: It was me...I did it...It was me!
Sara: He's done nothing wrong, he hasn't shot anybody, he hasn't hurt anybody. Michael...Michael, tell them the truth! MICHAEL...he's done nothing wrong!
credit:michaelandsara.org
Michael: Sara...it's me.
Sara: What do te want?
Michael: I don't have time to talk, there's every chance their listening to this call right now. But there's a lot I want to say. Please don't hang up on me.
Sara: I don't want to talk to you.
Michael: I heard about what happened. I want te to know, how sorry I am, for everything.
Sara: Sorry's not going to do me a whole lot of good with what I'm up against right now.
Michael: Listen, anyone with any ties to me and my brother is in danger now.
Sara: I have no ties to te and your brother, anymore.
Michael: There's a way I can protect you. It's already in your possession.
Sara: What, are te talking about?
Michael: It was real Sara...you and me, it's real.
Michael: Michael?
[Scene ends with Michael closing his phone.]
2.10 - RENDEZVOUS
Scene #1
Michael: Hello, Sara.
Michael: I wasn't sure you'd come.
Michael: I didn't have a choice.
Michael: This isn't going to be easy for you.
Michael: te detto in your message, te had a plan to make this right, I need to know what that is.
Scene #2
Michael: I've arranged for us to get to Panama, were meeting up with my brother tomorrow.
Sara: Wait...that's your plan.
Sara: To run away to Panama with two of the most wanted men in America. Michael, I came here because I thought te were gonna have real risposte for me.
Michael: This is an answer. And right now it's the only one we've got.
Sara: Running away into the sunset with the man who lied to me. Really? I mean, did te know about the other guys? Did te know that I would be putting T-Bag back out on the streets?
Michael: I never meant for that to happen. I was doing what I needed to do. My brother was gonna die.
Sara: My fathers, dead.
Michael: I am sorry about your father. I'm sorry for a lot of things. For what I did to you. I have many regrets. But that's the biggest.
Sara: That doesn't help me right now.
Michael: I'm sorry for that too.
Michael: I didn't expect te to forgive me. But I don't want te to be alone in this.
Sara: I don't want to be alone.
[This is when they see Mahone racing down a dirt road.]
Michael: Let's go. Get in the car.
Sara: We can't get out this way.
Sara: Michael, that's the only way out of here.
Sara: An, that's the way were going.
[Chase begins!]
Michael: Hold on, just hold on.
Sara: Michael, what are te doing?
Michael: Just hold on.
Sara: MICHAEL?
Michael: te alright?
Sara: He's still behind us.
Michael: Hold on.
[Car crashes into a building, Michael helps Sara out of the car and they run into another building.]
Scene #3
Sara: We got to get back to my car.
Michael: It's too far.
Sara: If we go now, before he get's più people.
Michael: He's not going to call for backup. He wants his privacy.
Sara: Why?
Michael: He's not trying to catch me, he's trying to kill me.
Scene #4
Sara: I don't want to get trapped in here.
Michael: There's got to be an exit on the other side.
Michael: te go on.
Sara: Michael.
Michael: I'll be right behind you...go!
Scene #5
Michael: I bought us some time.
Sara: You, okay your bleeding
Michael: Let's go.
Sara: Your seatbelt.
Scene #6
Sara: Okay, first aide kit, disposable phones and toothbrushes.
Michael: What about the hotel?
Sara: They charge da the ora so they didn't ask for id.
Sara: Do te have the keys?
Michael: Yeah.
Sara: Need your hat?
[Michael, shakes head no.]
Scene #7
Sara: This isn't going to feel good.
Michael: I have a high tolerance for pain. te know that.
Sara: I do. And your not a diabetic are you?
Sara: Right?
Sara: Michael tell me something. te think there's a part of te that enjoys this.
Michael: Peroxide in an open wound? No.
Sara: I mean escaping from prison, being on the run and the danger, the fear, the rush all that. It feels to me like, chasing a high. And I know what that's like. And I should know better, da now.
Michael: I never thought about it like that.
Michael: I know you've heard this before. But it won't always be like this.
Sara: From everything you've told me...it's just getting worse.
Michael: They can't chase us forever. The guy who caught up with us today, he stops at the border. That's why we have to get across. And I have the people in place to help us do that. We're meeting them tomorrow. One più giorno Sara, one più day. That's all I'm asking.
Sara: Then go get cleaned up. Keep this dry.
Michael: Sara, I'm glad te came.
2.16 - CHICAGO
Scene #1
Sara meets up with Michael and they then embrace in a hug.
Sara: Well, yeah. (Referring to her short hair).
Scene #2
Sara: te actually think we have a shot.
Michael: It depends on what your father gave you.
Sara: This fell out of his pocket, but I don't recognize the insignia.
Michael: No, but uh...Sara we've got someone working with us now.
Scene #3
Kellerman: Hey, Sara...what's done is done, we all what the samething.
Michael: te didn't tell us te left her to die.
Kellerman: I was scarring her, I was going to pull her out.
Sara: No, te left me in there to drown.
Michael: I wonder how long te can hold your breathe. Maybe we should find out.
Kellerman: te need me and te know it...You need me...You need me to keep going.
(Michael then lets go).
Sara: Why do we need him, we have the key we'll find out what it's for.
Kellerman: I can tell te what that keys for right now. It to a private cigar club.
Lincoln: Where?
Kellerman: Chicago.
Scene #4
Michael: te okay
Sara: Yeah
Scene #5
Sara: Michael, do te know if there's any way I can get any water.
Michael: Yeah, I think there's a bathroom down stairs. I'll check.
Sara: Thanks.
Scene #6
Michael: Sara...settle down.
Lincoln: Hey...
Kellerman: One of them, just get one of them...one.
Michael: Calm down (referring to Sara).
Kellerman: Just so we're all clear, she tries that again...
Michael: You'll what?
Lincoln: Just stay on the other side of the car.
Sara: Nothing personal Paul.
Scene #7
Michael: ciao Sara!
Sara: Not now.
Scene #8
Michael: ciao Sara.
Sara: Come on in.
Michael: Hey.
Sara: I'm sitting here evaluating...I uh jumped bail, I'm on the run and I just tried to take a man's life. I'm not using, which is actually quite an accomplishment. But three weeks fa I was a doctor.
Michael: te can get that back, all of it. I need to believe that.
Sara: te believe that. te think te can all get it back.
Michael: I choose to have faith. Cause without that I have nothing. It's the only thing that's keeping me going.
Sara: Well, I've got two things keeping me going. First is I want the people that took my dad. And actually the second, ironically I probably wouldn't even say if I hadn't Lost him, but um te should know...uh, the first thing they tell te when te take the job (cough) is uh...never fall in Amore with an inmate.
(They then began to kiss).
Scene #9
Michael: te want to take a walk.
Sara: Yeah.
Scene #10
Michael: Oh, Sara. About before...me too.
Sara: Yeah.
2.17 - BAD BLOOD
Scene #1
Sara: te sure about this.
Michael: No.
Sara: Either way te still owe me dinner.
Michael: Is that so.
Sara: Yep, first week in volpe River te promised me if te ever got out of there you'd take me to dinner.
Michael: Well maybe after we avvolgere this up, we can stop off and get te a burrito on the way back to Pope's house.
Sara: Scofield, I don't know what your use to but anything short of a filet mignon is not going to cut it with me.
Michael: It's a date.
Scene #2
Sara: Here we go.
Sara: te think its a conversion.
Michael: One they don't want us to hear.
Michael: te ready.
Lincoln: Let's do it.
2.18 - WASH
Scene #1
Sara: Oh my god!
Michael: (nods)
Sara: Yeah.
2.20 - PANAMA
Scene #1
Sara: Hello.
Michael: Hey, are te alright?
Sara: Yeah, I'm fine just heard about the President, what does it mean?
Michael: It means, its time to go.
Sara: Okay...when?
Michael: 10 minutes. How far away are you?
Sara: 5.
Michael: Listen Sara, Linc and I are on the ship...this is it there's no turning back now so uh I know its not what te wanted from your life, but in case your interesting there's room for one more.
Sara: Michael Scofield, te asking me to sail off into the sunset with you.
Michael: Well it's più of a fretter, but uh yes.
Sara: I'll be there.
Michael: See te soon.
Scene #2
Sara: Yeah.
Michael: Sara, what's the matter, the ship is leaving.
Sara: Michael!
Michael: What's wrong? Sara?
Sara: I'm already on board. I'm sorry I must of just missed you, where are you?
Michael: We're on deck.
Sara: Great. I'm on my way up...Love You!
2.22 - SONA
Scene #1
Sara: So I got your message. Thank god I found te guys.
Michael: Thank god is right.
Sara: Michael, Lincoln's free.
Lincoln: What?
Sara: Uh, its all over the news. Paul Kellerman, came inoltrare, avanti and he had everything documented and he made a full confession.
Michael: Are te serious?
Sara: Yeah.
Lincoln: Everything.
Sara: Everything, all charges.
Lincoln: Whoah...Man what a...
Sara: te don't have to run anymore.
Lincoln: What about Michael?
Sara: Ugh, a friend of my fathers getting into it, but he's pretty confident that under the circumstances nobody's going to pursue te on this.
Lincoln: I need a drink.
(Sara laughing)
Sara: I'll go see what I can find.
Scene #2
Sara: Michael I took a man's life
Michael: Don't think about that now. te and I've got a date, remember. Two limes a couple beers don't forget that. Give me the gun.
Sara: I took a man's life.
Michael: We're going to walk out of here together. And we'll tell them exactly what happened. Look at me...Look at me. We're going to tell them what happened.
Sara: Okay.
Michael: We're going to explain everything. And I'm going to do whatever I can to help you. Okay.
Sara: Yeah
Michael: Now give me the gun.
Sara: Here.
Sara: I Amore you
Michael: I Amore te too, Sara.
Sara: Okay
Michael: Alright
(Michael and Sara then sposta outside where Michael takes Sara at gunpoint).
Michael: Don't move! I'll shoot.
Sara: Michael, what are te doing?
Michael: Nobody move...Nobody!
Michael: te sacrificed everything for me once.
Sara: No!
Michael: No, don't move!
Sara: I can't let te do this...Michael...Michael!
Michael: Now it's time to say thank you.
Sara: No!
Michael: It was me...It was me!
Sara: No, he's done nothing wrong, he's innocent.
Michael: It was me...I did it...It was me!
Sara: He's done nothing wrong, he hasn't shot anybody, he hasn't hurt anybody. Michael...Michael, tell them the truth! MICHAEL...he's done nothing wrong!
credit:michaelandsara.org
