On October 15, 2001, producer Quincy Jones was guest in 'The Oprah Show'. During the mostra Michael called in to pay tribute to his friend. Below follows a transcript of this segment:
Oprah Winfrey: [...] He's worked with everybody from Billie Holiday to Frank Sinatra to Michael Jackson. I mean, when te span that whole--th--that's not an era of music. That's eras. OK. Quincy doesn't know this, but there's somebody on the phone who wanted to be here today but could not. Most of the world knows him as the King of Pop. Say hello to Michael Jackson. Michael. Michael. So hi, Michael.
Michael: Hi.
Oprah: Hi. Thanks for joining us.
Michael: Oh, I'm honored. I'm very honored.
Oprah: What's it like, the experience of working with Mr. Jones?
Michael: What was it like working with--with Quincy?
Oprah: Yeah.
Michael: It's--it's very professional, very talented, and he's a musical visionary. He's been around, as te know, a very long time.
Quincy Jones: Michael?
Michael: Yes?
QJ: This is Quincy. Can I call te da the name we used to call and talk to each other by?
Michael: Yes, if te want.
QJ: Well, OK, S...
Michael: I'm scared.
QJ: Smelly. What'd he say?
Oprah: He said, `I'm scared.'
QJ: Smelly. OK.
Oprah: Now where did that come from? That...
QJ: That's very affectionate, because Michael does not use any profanity ever, right--right, Smelly?
Michael: No. P--no. That's right.
QJ: And--and so when it got good, we'd say, `That was funky.' He said, `Don't say that. It's smelly jelly,' te know. It's smelly jelly, so from now...
Oprah: te don't even use `funky'?
QJ: No. Michael doesn't say that word. If...
Oprah: No. No.
QJ: No.
Oprah: Doesn't say any--any kind of bad words at all.
QJ: No. I've heard a couple, yeah.
Oprah: Yeah. OK.
QJ: But--but not--that's...
Michael: From who?
QJ: From--from you.
Michael: Not me ...(unintelligible).
QJ: Oh, no, no.
Oprah: No. So that's why te started...
QJ: Just smelly jelly.
Oprah: That's why te started calling him Smelly.
QJ: Yes.
Michael: Yeah.
Oprah: What have te learned from Q that--that te take with te for the rest of your life, Michael?
Michael: I learned a lot. te once detto something to me, Qu--Quincy. I don't know if te want it repeated. But it was just beautiful. te said, `You don't write the music. te let the write--the Musica write itself. Let it create itself. It's like we're just the fonte through which it comes.'
Oprah: Yeah. I--I've heard him say he always leaves room for God to walk in the room.
Michael: There te go.
Oprah: Yeah.
QJ: The divinity is most important.
Oprah: Well, thank you, Michael, for joining us. Thanks for taking the time to call up and say, `Hey, Q.'
QJ: I Amore you, Smelly.
Michael: I Amore te more, Quincy.
Oprah: All right. All right.
QJ: The mostra was great in New York.
Michael: Thank you.
Well I hope te enjoyed Leggere this as much as I do...MJ is the BEST ...KING FOREVER:)
Oprah Winfrey: [...] He's worked with everybody from Billie Holiday to Frank Sinatra to Michael Jackson. I mean, when te span that whole--th--that's not an era of music. That's eras. OK. Quincy doesn't know this, but there's somebody on the phone who wanted to be here today but could not. Most of the world knows him as the King of Pop. Say hello to Michael Jackson. Michael. Michael. So hi, Michael.
Michael: Hi.
Oprah: Hi. Thanks for joining us.
Michael: Oh, I'm honored. I'm very honored.
Oprah: What's it like, the experience of working with Mr. Jones?
Michael: What was it like working with--with Quincy?
Oprah: Yeah.
Michael: It's--it's very professional, very talented, and he's a musical visionary. He's been around, as te know, a very long time.
Quincy Jones: Michael?
Michael: Yes?
QJ: This is Quincy. Can I call te da the name we used to call and talk to each other by?
Michael: Yes, if te want.
QJ: Well, OK, S...
Michael: I'm scared.
QJ: Smelly. What'd he say?
Oprah: He said, `I'm scared.'
QJ: Smelly. OK.
Oprah: Now where did that come from? That...
QJ: That's very affectionate, because Michael does not use any profanity ever, right--right, Smelly?
Michael: No. P--no. That's right.
QJ: And--and so when it got good, we'd say, `That was funky.' He said, `Don't say that. It's smelly jelly,' te know. It's smelly jelly, so from now...
Oprah: te don't even use `funky'?
QJ: No. Michael doesn't say that word. If...
Oprah: No. No.
QJ: No.
Oprah: Doesn't say any--any kind of bad words at all.
QJ: No. I've heard a couple, yeah.
Oprah: Yeah. OK.
QJ: But--but not--that's...
Michael: From who?
QJ: From--from you.
Michael: Not me ...(unintelligible).
QJ: Oh, no, no.
Oprah: No. So that's why te started...
QJ: Just smelly jelly.
Oprah: That's why te started calling him Smelly.
QJ: Yes.
Michael: Yeah.
Oprah: What have te learned from Q that--that te take with te for the rest of your life, Michael?
Michael: I learned a lot. te once detto something to me, Qu--Quincy. I don't know if te want it repeated. But it was just beautiful. te said, `You don't write the music. te let the write--the Musica write itself. Let it create itself. It's like we're just the fonte through which it comes.'
Oprah: Yeah. I--I've heard him say he always leaves room for God to walk in the room.
Michael: There te go.
Oprah: Yeah.
QJ: The divinity is most important.
Oprah: Well, thank you, Michael, for joining us. Thanks for taking the time to call up and say, `Hey, Q.'
QJ: I Amore you, Smelly.
Michael: I Amore te more, Quincy.
Oprah: All right. All right.
QJ: The mostra was great in New York.
Michael: Thank you.
Well I hope te enjoyed Leggere this as much as I do...MJ is the BEST ...KING FOREVER:)
Blazing 'Cross The Evening Sky
Gone Too Soon
Like A Rainbow
Fading In The Twinkling Of An Eye
Gone Too Soon
Shiny And Sparkly
And Splendidly Bright
Here One Day
Gone One Night
Like The Loss Of Sunlight
On A Cloudy Afternoon
Gone Too Soon
Like A Castle
Built Upon A Sandy Beach
Gone Too Soon
Like A Perfect Flower
That Is Just Beyond Your Reach
Gone Too Soon
Born To Amuse, To Inspire, To Delight
Here One Day
Gone One Night
Like A Sunset
Dying With The Rising Of The Moon
Gone Too Soon
Gone Too Soon
link
te know i think Michael really wanted to change the world. te can tell because of his songs like man in the mirror,heal the heal world,earth song,black o white,and they don't care about us. and it is so sad that he pasted and when i looked at the video they don't care about us i really started to cry becuase is was so happy to see all the people that loved him and saw him. i mean he was and still the king of pop. i mean Michael had kids,family, and fan and Michael song te are not alone in so meaningful atfer his death. :( I Amore te MICHAEL!!!
basso note, treble, stereo control, how low te go
Just enough to make your juices flow
Press play, don't stop, rotate, too hot
te feel I'm real
I'm everything te need, so tell me what's the deal
Chorus
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what te say don't overload
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what te say don't overload
3D, high speed, feedback, Dolby
Release two o three, when I reach I can go 'till I hit my peak
Compact steelo, chico, D-Lo, highpost lady
Shorty really wanna be there for me
Chorus
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what te say don't overload
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Just enough to make your juices flow
Press play, don't stop, rotate, too hot
te feel I'm real
I'm everything te need, so tell me what's the deal
Chorus
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what te say don't overload
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what te say don't overload
3D, high speed, feedback, Dolby
Release two o three, when I reach I can go 'till I hit my peak
Compact steelo, chico, D-Lo, highpost lady
Shorty really wanna be there for me
Chorus
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
Be careful what te say don't overload
2000 Watts, 8 ohms, 200 volts, real strong
Too much of that, fuse blown
There were no albums bigger than Thriller and Bad, and Jackson seemed to be just entering his prime as an artist.
In hindsight, considering the astonishing heights he hit in the 1980s, maybe there was nowhere to go but down. On superiore, in alto of the world profeessionally, his persional affairs increasingly came under the microscope and seemed to gradually bleed the life and vibrancy out of the mercurial artist.
The new decade sarted off with Jackson in the studio, recording his new album, Dangerous. Jackson had recently signed a 15-years, six-record deal with sony, and if the singer was able to deliver sales numbers comparable to what he postato in the 1980s, the deal was estimated to have an earing power of up to $1 billion.
Dangerous got off to a great start-it debuted at number one and quickly outpaced the sales of Bad.