MJ

There's a ghost down in the hall
There's a ghoul under the bed
There's something in the walls
There's blood up on the stairs
And it's floating through the room
And there's nothing I can see
And I know that that's the truth
Because now it's onto me

I don't understand it
Hey!
I don't understand it!
Aaow!

There's a tappin' in the floor
There's a creak behind the door
There's a rocking in the chair
But there's no-one sitting there
There's a ghostly smell around
But nobody to be found
And a coughin' and a yawnin'
Where a restless soul is going

Don't understand it
Hey!
Don't understand it
Hey.

And who gave te the right...

She was più like a beauty
queen from a movie scene
I detto don't mind, but what do
you mean I am the one
Who will dance on the floor in
the round
She detto I am the one will
dance on the floor in the
round

She told me her name was
Billie Jean, as she caused
a scene
Then every head turned with
eyes that dreamed of being
the one
Who will dance on the floor in
the round

People always told me be
careful of what te do
And don't go around breaking
young girls' hearts
And mother always told me be
careful of who te love
And be careful of what you
do 'cause the lie becomes
the truth

Billie Jean is not my lover
She's just a girl...

We Amore te Michael came from the crowd
They were on their feet and they were loud
Besides feeling great joy I was very proud
As the smoke faded into a dissipating nube, nuvola
His brothers left and there was just him
Still looking witty, smart and trim
He was still an absolute rock and roll gem
And he had that R and B soul inside of him
He broke out with a favorite: "Billie Jean"
And from all over there came a great scream
It was like being in some kind of dream
He did the moonwalk and the moonwalk was mean
Again we Amore te Michael came from the crowd
He had emerged into the light from a very dark...

Culling a playlist from an artist as estimable and earth-shaking as Michael Jackson is a monumental task. There's always going to be the one that got away — the shoulda-been classic that got dwarfed simply because his classics were just too towering to allow any runner-ups. But whether chart-topper o quiet victory, what stands out about the best Michael Jackson songs is how the Musica mostly cleared the way for his outsized personality. His vocal style was marvelously flexible, often favoring simple attack over cheap pyrotechnics, and he applied it to some of the most indelible melodies ever...