After the first few episodes something became apparent. The concept of the mostra was fine... better than fine. But the potential would have been extraordinary if the mostra was about the executives running a network - not two guys running a sketch comedy show.
Some of the best story lines come from the dynamics of running a network (censorship, politics of advertising and marketing, new shows and old shows, etc...).
I would Amore to see this come back (or another writer develop the concept) of the "behind-the-scenes" at a national network.
Unfortunately it looks like Aaron Sorkin has moved on and we'll never get this potenitally great show!
Some of the best story lines come from the dynamics of running a network (censorship, politics of advertising and marketing, new shows and old shows, etc...).
I would Amore to see this come back (or another writer develop the concept) of the "behind-the-scenes" at a national network.
Unfortunately it looks like Aaron Sorkin has moved on and we'll never get this potenitally great show!
Are you there God? It's me, Harriet
